Salt & Cedar

28/05/2026

Thrilled to be printing with colleagues from
around the world in gorgeous Milan, the first week of July! 🔥

The Workers Megan Gerard O’Connell | Salt & Cedar rookie Silvia Potenza | Shah veteran Mark Pavey | Dead Methods Marit Brandsnes | Verkstedet (The workshop) veteran Dario Carta Andrea Torres | Tipo Movil rookie Samer Bou Saleh | Hadeel rookie Lilith, Helene, Lennart | Galerie p98a veteran Manfred ...

18/05/2026

Stitching *Floating Like Sunlight: Words of Passage, Ritual, Oracle, Living, Dying*, a collaboration between Sarah Riggs and Anne Waldman. The intensely pigmented yellow covers—made with Shin Inbe from Awagami Factory—help convey much-needed light into the atelier.

Megan O'Connell

05/05/2026

Today, marks the 14th year since S&C’s founding in Eastern Market Detroit [05.05.2012]; tomorrow begins year fifteen!

So many of you to thank. I am deeply moved by your encouragement and generous support, beginning on the very first day the door was propped open on Riopelle Street!

09/04/2026

LAST SPOT available for our Letterpress Workshop offered during the NOW26 conference. 31 May from 11a-5p. €140

In this 6-hour workshop, participants will be introduced to a special collection of primarily French fonts designed by Roger Excoffon and released by Fonderie Olive, as well as other classics from Deberny & Peignot. Each sets a phrase or two in job sticks & galleys and prints one-color from a collective forme. The layouts may include pi fonts, vintage clichés and decorative rule. Each person will distribute their type and spacing material back into the cases, when the print runs are finished. At the end, we will trim, sign and number the [variable] editions, while assessing our font choices and compositional strategies.

All materials provided!

We organise workshops around typography topics such as type design lettering, calligraphy, usage of Glyphs. Register to Workshop Nº 25 Letterpress at Salt & Cedar

01/04/2026

Presentation on S&C’s projects, methodologies and collaborations with Rebecca Mazzei, editor of Three Fold Press [Detroit]. Thank you, Alex Balgiu for your perceptions and offerings…and, as always, your generous pedagogical model. Such engaged and fun students from Paris College of Art Communication Design program!

20/12/2025

All aglow throughout the Winter Holidays in our Paris Studio. 🎁 If you are interested in custom letterpress printed stationery, bonne année cards, invitations, calling cards, birth announcements, gift certificates, broadsides, booklets or tags…contact us via email for a quote:

—> info[at]saltandcedar.com

photograph: Christophe Legland

01/11/2025

Activity in myriad realms: production / designation /publication / presentation / engagement / taking us to unprecedented states of awe, S&C was a place where Alison Knowles said, ‘she came to work.’

So much more to be said about , but begin here

https://www.nytimes.com/2025/10/31/arts/alison-knowles-dead.html?smid=url-share

14/07/2025

I assembled this a couple years ago, for In-hand, at the invitation of journalist and co-founder, Meghan McEwan. Here’s to freedom of the press and the latitude to read what one cares to, uncensored. Grateful that Salt & Cedar is my anchor in this enchanting city. —> Happy 14 July!

Megan Gerard O’Connell

A new matchbox-sized letterpress studio; the best niche booksellers; a tidy list of standout museums; and a wildly inspiring public library that looks straight from a medieval fairytale

11/06/2025

Thank you Slanted Publishers for including S&C in this recap of TDC71 by TDC and the Now25 conference organized by TypeParis!

https://www.slanted.de/recap-type-paris-now25/

03/06/2025

S&C’s intern, Emma Brigl, a student of Communication Design at Paris College of Art, prints the last few examples from the Sunday ‘Letterpress at Salt & Cedar’ workshop. Her presence during this epic phase, as the entire space transforms into a combined printshop/domicile, has been invaluable on all levels.

Today marks the start of her last week, as she soon heads-off to Italy. She’ll be back, however, in the Fall to participate in a workshop with other PCA students, as well as to prepare some work for her own portfolio. A giant thank-you, Emma!

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