Brussels Conservatory Library - EhB

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Brussels Conservatory Library - EhB The library's collection is one of the most important in Belgium, and enjoys a worldwide reputation. Ph. E. Bach, J. W. Hertel and G. Telemann.

Music of the 17-18th centuries is well represented, as well as Belgian music. All content and images on our page come from our collection. The library of the Royal Conservatory of Brussels was founded in 1832, and now possesses a collection of around one million volumes. The collection consists mainly of scores, but also contains books about music, reference works, periodicals and illustrations. The collection is one of the most important in Belgium, and enjoys a worldwide reputation. Music of the 17th and 18th centuries is particularly well represented, partly owing to the purchase of two private collections; those of Westphal and Wagener. The collection of the German musician Westphal was bought in the middle of the 19th century by Fétis, then director of the Royal Conservatory. This collection contains mainly German music of the 18th century, including manuscripts by C. At the beginning of the 20th century Alfred Wotquenne, the librarian at the time, acquired the Wagener collection. This collection consist mainly of German and Italian chamber music from the 17th and 18th centuries. In 1929 the Sint-Goedele Fund was acquired. This is an important collection of about 450 manuscripts of religious music from the collegial church of Saint Sint-Goedele in Brussels, now Saint Michael's cathedral. Both Italian composers and local masters such as Brehy, De Croes, Fiocco and Van Helmont are well represented. The following collections also deserve mention:
-de Glimes', with Italian vocal music from the 18th century;
-Hollenfeltz', with documents concerning Mozart father and son;
-Piron's, with French chamber music in manuscript and printed form from the second half of the 18th century;
-Michotte's, with personal documents of Rossini. The library builds on this historic collection with an acquisition policy which pays particular attention to contemporary music. Advances in library science are also followed carefully; for example up-to-date standards are followed for the description of titles, and the recent catalogue can be consulted online.

The lights are going out in the Flemish heritage sector - Day 21.[NL] ‘Een klaaglijke toon, een snikkend ‘ach’, moet mij...
26/10/2026

The lights are going out in the Flemish heritage sector - Day 21.

[NL] ‘Een klaaglijke toon, een snikkend ‘ach’, moet mijn vreugde ten grave dragen. Met groot leed en bittere pijn bestormt het afscheid mijn hart. Als melk stromen mijn tranen. Ellendige wereld! Treurige tijden!’ Zo staat het in een van onze cantates uit 1736 van Georg Philipp Telemann. Het lijkt er dus sterk op dat ook hij het slachtoffer is geworden van ondoordachte cultuurbezuinigingen.

[EN] ‘A mournful tone, a sobbing “ah”, must bury my joy. With great sorrow and bitter pain, this farewell overwhelms my heart. My tears flow like milk. Wretched world! Sad times!’ So it reads in one of our cantatas from 1736 by Georg Philipp Telemann. It therefore seems highly likely that he, too, has fallen victim to thoughtless cultural cutbacks.

The lights are going out in the Flemish heritage sector - Day 20.[NL] Ons protest tegen de afbouw van de erfgoedsector e...
25/10/2026

The lights are going out in the Flemish heritage sector - Day 20.

[NL] Ons protest tegen de afbouw van de erfgoedsector en dus ook tegen de afbouw van ons cultureel geheugen, gaat door met het 'klaaglied van een gewonde vogel'.

[EN] Our protest against the cutbacks in the heritage sector and thus also against the dismantling of our cultural memory, continues with the ‘lament of a wounded bird’.

Unheard heritage - Ongehoord erfgoed.[NL] Ook in deze moeilijke tijden blijft de erfgoedsector springlevend. Op dinsdag ...
24/10/2026

Unheard heritage - Ongehoord erfgoed.

[NL] Ook in deze moeilijke tijden blijft de erfgoedsector springlevend. Op dinsdag 27 oktober ontdek je tijdens een gratis concert onbekend werk van Vlaamse componisten, uitgevoerd door studenten van de drie Vlaamse conservatoria.
Een van de blikvangers uit de selectie van onze bibliotheek is het saxofoonsextet 'In het teken van de verticale gloed' van Frans Geysen.
Dit bijzondere erfgoedproject wordt mogelijk gemaakt dankzij het Samenwerkingsfonds AP-EhB-HOGENT.
Kom luisteren en ontdek muzikaal erfgoed dat het verdient om gehoord te worden.

[EN] Even in these difficult times, the heritage sector remains very much alive. On Tuesday 27 October, you can discover little-known works by Flemish composers at a free concert, performed by students from the three Flemish conservatoires.
One of the highlights from our library’s selection is the saxophone sextet ‘In the sign of the vertical glowing' by Frans Geysen.
This special heritage project is made possible thanks to the AP-EhB-HOGENT Cooperation Fund.
Come along, enjoy listening and discover musical heritage that deserves to be heard.

The lights are going out in the Flemish heritage sector - Day 19.[NL] J. S. Bach componeerde een treurcantate bij het ov...
24/10/2026

The lights are going out in the Flemish heritage sector - Day 19.

[NL] J. S. Bach componeerde een treurcantate bij het overlijden van koningin Christiane Eberhardine: "Laat, vorstin, laat nog één straal uit de sterrenhemel springen". Nu onze erfgoedsector levend begraven wordt, treuren we ook en we vragen "O regering, lass nicht nur einen Strahl, aber noch viele Strahlen op ons Vlaams erfgoed schijnen".

[EN] J. S. Bach composed a funeral cantata upon the death of queen Christiane Eberhardine: “Let, o queen, let one more ray shine down from the starry sky.” Now that our heritage sector is being buried alive, we, too, mourn, and we ask, “O government, let not just one ray, but many rays shine upon our Flemish heritage.”

The lights are going out in the Flemish heritage sector - Day 18.[NL] 'I Don't Want to Set the World on Fire' is ongetwi...
23/10/2026

The lights are going out in the Flemish heritage sector - Day 18.

[NL] 'I Don't Want to Set the World on Fire' is ongetwijfeld een lied dat onze minister van Cultuur graag zou meezingen. Dat neemt helaas niet weg dat zij ondertussen wel de hele erfgoedsector in brand heeft gestoken.

[EN] 'I Don't Want to Set the World on Fire' is undoubtedly a song our Minister for Culture would love to sing along to. Unfortunately, that doesn’t change the fact that, in the meantime, she has set the entire heritage sector in flames.

The lights are going out in the Flemish heritage sector - Day 17.[NL] 'Muziek om het geld de baas en het leven aan te ku...
22/10/2026

The lights are going out in the Flemish heritage sector - Day 17.

[NL] 'Muziek om het geld de baas en het leven aan te kunnen'. Dit is een compositie die de erfgoedsector vandaag de dag meer dan nodig heeft. Het is ook een eerbetoon aan de componist Frans Geysen die onlangs op 18 oktober heengegaan is, maar die ongetwijfeld doorleeft in zijn boeiend oeuvre.

[EN] 'Music to help us manage our finances and get through life'. This is a composition that the heritage sector needs today more than ever. It is also our tribute to the Flemish composer Frans Geysen, who passed away recently on 18 October, but who undoubtedly lives on through his fascinating oeuvre.

The lights are going out in the Flemish heritage sector - Day 16.[NL] 'Een liedje dat nergens op slaat' is een gepaste m...
21/10/2026

The lights are going out in the Flemish heritage sector - Day 16.

[NL] 'Een liedje dat nergens op slaat' is een gepaste metafoor voor 'een beslissing die nergens op slaat'. Zoals je kan zien, is de originele titel met de meest verfijnde AI-technologie geactualiseerd. Want ja, ook AI snapt de besparingen van de minister in de erfgoedsector niet.

[EN] ‘A song without rhyme or reason’ is a fitting metaphor for ‘a decision that makes no sense’. As you can see, the original title has been updated using the most sophisticated AI technology. Because, yes, even AI doesn’t understand the cutbacks by the Minister in the heritage sector.

The lights are going out in the Flemish heritage sector - Day 15.[NL] Erfgoed uit de jaren 1740. In deze anthem van Jame...
20/10/2026

The lights are going out in the Flemish heritage sector - Day 15.

[NL] Erfgoed uit de jaren 1740. In deze anthem van James Kent hoeven we maar één woord te veranderen en de boodschap is brandend actueel: "Verhoor mijn gebed, o minister, en wend je niet af van mijn smeekbede".

[EN] A heritage from the 1740s. In this anthem by James Kent, we need only to change one word to make the message highly topical: ‘Hear my prayer, O minister, and hide not thyself from my petition".

The lights are going out in the Flemish heritage sector - Day 14.[NL] Billy Cotton zong in 1939 "When Britain is in dang...
19/10/2026

The lights are going out in the Flemish heritage sector - Day 14.

[NL] Billy Cotton zong in 1939 "When Britain is in danger, when trouble's in the air, we must stick all together and the clouds will soon roll by". Verander "Britain" in "Flanders" en het lied is 100 % actueel. Dan nog een minister vinden die ervoor zorgt dat de wolken boven de erfgoedsector inderdaad zullen optrekken.

[EN] In 1939, Billy Cotton sang: “When Britain is in danger, when trouble’s in the air, we must stick all together and the clouds will soon roll by”. Replace “Britain” with “Flanders” and the song is 100 per cent relevant today. Now we just need to find a minister who can ensure that the clouds over the heritage sector do indeed roll by.

https://www.youtube.com/watch?v=wjV_ZJawFc0

The lights are going out in the Flemish heritage sector - Day 13.[NL] Zonder woorden.[EN] A composition entitled "Hypocr...
18/10/2026

The lights are going out in the Flemish heritage sector - Day 13.

[NL] Zonder woorden.

[EN] A composition entitled "Hypocritical mournful music" needs no explanation.

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