World Of Photography

World Of Photography School of Photography Online
Electronic archives,feedback,learning and preservation of arts

19/03/2023

Coursera📽️











A series of Portraits of the Egyptian Photographers with their iconic photographs of Jan25 Revolution 2011.Stay Tuned fo...
25/01/2023

A series of Portraits of the Egyptian Photographers with their iconic photographs of Jan25 Revolution 2011.
Stay Tuned for more.
This project is inspired by Tim Mantoani :-
Ahmed Hayman's Photography
مشروع مصور لسلسلة من صور المصورين المصريين مع صورهم الأيقونية للثورة 25 يناير 2011.
"موثقي الثورة"
سلسة من بورتريهات لمصورين مصريين وثقوا ثورة ٢٥ يناير بكاميراتهم.
هذا المشروع المصور مستوحى من تيم مانتواني :-
Ahmed Hayman's Photography - احمد هيمن

Ahmed Hayman

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A series of Portraits of the Egyptian Photographers with their iconic photographs of Jan25 Revolution 2011.Stay Tuned fo...
25/01/2023

A series of Portraits of the Egyptian Photographers with their iconic photographs of Jan25 Revolution 2011.

Stay Tuned for more.
This project is inspired by Tim Mantoani :-
Ahmed Hayman's Photography

مشروع مصور لسلسلة من صور المصورين المصريين مع صورهم الأيقونية للثورة 25 يناير 2011.
"موثقي الثورة"
سلسة من بورتريهات لمصورين مصريين وثقوا ثورة ٢٥ يناير بكاميراتهم.
هذا المشروع المصور مستوحى من تيم مانتواني :-
Ahmed Hayman's Photography - احمد هيمن

Ahmed Hayman

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The world's smallest camera has a sand beanThe camera "OVM6948 CameraCubeChip" developed by OmniVision is the smallest c...
25/01/2023

The world's smallest camera has a sand bean
The camera "OVM6948 CameraCubeChip" developed by OmniVision is the smallest camera in the world
1 millimeter size, 0.65X0.65 mm dimensions, 1.158 mm height
And the camera D entered the Guinness of the Youngest Sensor.
(0.575 mm x 0.575 mm x 0.232 mm)
Good age I thought a camera as large as possible.
The camera has reached 200/200 pixels 😲
Its angle of view is 120 °
Fox Range from 3:30 mm
No more than a fiddle at temperatures ranging from 20 to 70 degrees Celsius.
With 30 shots per second.
It is used in medical binoculars, in microvascular examination, and in different experiments and surgeries

أصغر كاميرا في العالم قد حبة الرمل
الكاميرا " OVM6948 CameraCubeChip" اللي طورتها شركة OmniVision هي أصغر كاميرا في العالم
حجمها مليمتر واحد، و أبعادها 0.65X0.65 ملم، وارتفاعها 1.158 مليمتر
و الكاميرا دي دخلت موسوعة جينيس بأصغر سينسور
(0.575 mm x 0.575 mm x 0.232 mm)
طيب عمرك فكرت كاميرا بالحجم ده ممكن امكانياتها تبقي عاملة ازاي؟
الكاميرا دي دقتها وصلت ل 200/200 بيكسل 😲
و زاوية الرؤية فيها 120°
الفوكس رينج بتاعها من ٣:٣٠ مم
مش بس كده دي كمان بتقدر تصور في درجات حرارة تتراوح بين 20 و70 درجة مئوية.
وبتاخد ٣٠ لقطة في الثانية.
و بتستخدم في المناظير الطبية، و في فحص الأوعية الدموية الدقيقة، وفي تجارب وجراحات المختلفة

Source Information :-
Cairo Photo Club



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VOICE OF THE EYES® - Creative Minds in Landscape Photography 📽️ Creative Minds in Landscape PhotographyVoice of the Eyes...
24/01/2023

VOICE OF THE EYES® - Creative Minds in Landscape Photography 📽️ Creative Minds in Landscape Photography
Voice of the Eyes® is a collection of interviews with exceptional landscape photographers collected and edited by René Algesheimer. These photographers have mastered their craft like no other and have helped shape the entire discipline.

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24/01/2023

Coursera📽️











23/01/2023

I’m Paul Sanders – fine art photographer, Fuji ambassador, speaker and photography mentor. I’m passionate about the benefits of photography to mental health and wellness, and am so excited to welcome you to Still , I’ve always had a need to prove myself, to push myself to the limits and to succeed. For me, success was embodied by attaining a senior role at a national newspaper, which I achieved when, in 2002, I was approached by The Times, by 2004 I was The Picture Editor.

Looking at nearly 20,000 images every day and the associated responsibilities left me suffering with stress, depression, insomnia and anxiety. By 2011, depression had got its claws into me. My relationships with friends, with my wife and with my son all suffered and I was in a very bad way. At the end of December 2011, I left The Times to pursue a career as a freelance landscape photographer. I’d no experience in landscape photography, but it gave me something that I’d been missing; it gave me a way of expressing myself where words failed me.

I love being outside surrounded by the beauty of the world we live in. It never ceases to amaze me, as I watch the storm clouds blow in over the coast, listen to the waves crashing against the rocky shores or watch sunlight stream through trees on a foggy morning, how lucky we are to have such beauty on our doorsteps.

You can stand in a location for several hours, waiting and waiting for the light to give you a bit of something; you can wait for the rain to stop or for the fog to lift or come down – it’s trying to get the best out of what mother nature gives you without feeling frustrated or judgemental - she rarely gives what you want but she almost always gives you what you need.

“Paul is an inspiring and intuitive photography mentor, possessing the rare ability to push people out of their comfort zone just enough for the magic to happen”

Paul Sanders
Paul Sanders












I’m Paul Sanders – fine art photographer, Fuji ambassador, speaker and photography mentor. I’m passionate about the ben...
23/01/2023

I’m Paul Sanders – fine art photographer, Fuji ambassador, speaker and photography mentor. I’m passionate about the benefits of photography to mental health and wellness, and am so excited to welcome you to Still , I’ve always had a need to prove myself, to push myself to the limits and to succeed. For me, success was embodied by attaining a senior role at a national newspaper, which I achieved when, in 2002, I was approached by The Times, by 2004 I was The Picture Editor.

Looking at nearly 20,000 images every day and the associated responsibilities left me suffering with stress, depression, insomnia and anxiety. By 2011, depression had got its claws into me. My relationships with friends, with my wife and with my son all suffered and I was in a very bad way. At the end of December 2011, I left The Times to pursue a career as a freelance landscape photographer. I’d no experience in landscape photography, but it gave me something that I’d been missing; it gave me a way of expressing myself where words failed me.

I love being outside surrounded by the beauty of the world we live in. It never ceases to amaze me, as I watch the storm clouds blow in over the coast, listen to the waves crashing against the rocky shores or watch sunlight stream through trees on a foggy morning, how lucky we are to have such beauty on our doorsteps.

You can stand in a location for several hours, waiting and waiting for the light to give you a bit of something; you can wait for the rain to stop or for the fog to lift or come down – it’s trying to get the best out of what mother nature gives you without feeling frustrated or judgemental - she rarely gives what you want but she almost always gives you what you need.

“Paul is an inspiring and intuitive photography mentor, possessing the rare ability to push people out of their comfort zone just enough for the magic to happen”

Paul Sanders
Sanders












"When you look at a picture you think you see something constant but it's always a tale. The hand holding a glass is a t...
17/01/2023

"When you look at a picture you think you see something constant but it's always a tale. The hand holding a glass is a table, mouth and arm. This is the mystery of photography: at the same time it stops time and testifies to its passage. You might see more before and after the shot than you see the shot itself. It's like the lens doesn't stabilize a moment as much as a chronology. The existence of that sequence means a position and judgement, not just a tale. The existence of time in the image means another porous skin. "
Youssef Rakha 📽️

«أنت عندما تنظر إلى صورة تظن أنك ترى شيئًا ثابتًا لكنها دائمًا حكاية. اليد التي تمسك كأسًا هي طاولة وفم وذراع. هذا هو لغز الفوتوغرافيا: إنها في نفس الوقت توقِف الزمن وتشهد على مروره. ربما ترى ما قبل اللقطة وما بعدها أكثر مما ترى اللقطة نفسها. كأن العدسة لا تُثبّت لحظة بقدر ما تدل على تسلسل زمني. ووجود ذلك التسلسل يعني وجود موقف وحُكم، ليس فقط حكاية. وجود الزمن في الصورة يعني جِلد آخر يستحيل اختراقه.»
يوسف رخا 📽️











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