University of Edinburgh Libraries and Museums

University of Edinburgh Libraries and Museums The University of Edinburgh Libraries and Museums. linktr.ee/EdUniLibraries Collections, Services, Events, Exhibitions and Projects.

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The University of Edinburgh is a charitable body, registered in Scotland, with registrtation number SC005336.

Due to essential works both Moray House Library and Edinburgh College of Art (ECA) Library will have closure periods thi...
30/08/2026

Due to essential works both Moray House Library and Edinburgh College of Art (ECA) Library will have closure periods this week.

Moray House Library will be closed on Tuesday 1st and Wednesday 2nd September 2026.

ECA Library will be closed on Thursday 3rd and Friday 4th September 2026.

Find full information on these closure periods by following link in bio.

Apologies for any inconvenience this may cause.

Did you know there are 7 floors that you can study on in the Main Library? Well, a lot of graduating students didn’t eit...
29/08/2026

Did you know there are 7 floors that you can study on in the Main Library? Well, a lot of graduating students didn’t either! ⁉️

Sign up for a library tour through the link in bio and participate in the scavenger hunt at the end. Participants who get 8/10 or higher will win a UoE eco coffee cup! ☕ 
🔥 Hot tip: use your prize at Baristo in Bristo Square for 30p off your drink!  
 

     

Can a Scottish reprint of a 17th-century Dutch Gospel help revive an Indigenous language in Taiwan?In the New College co...
27/08/2026

Can a Scottish reprint of a 17th-century Dutch Gospel help revive an Indigenous language in Taiwan?

In the New College collections is William Campbell’s 1888 trilingual edition of The Gospel of St. Matthew. Though seemingly another Victorian missionary publication, its parallel columns of Siraya, Dutch, and English tell a story that reaches well beyond the book’s original purpose—a story of language, translation and a text whose significance changed over time.

Daniel Gravius, a Dutch pastor in 17th-century Taiwan, crafted his Siraya-Dutch Gospel in the hope that it might serve local Austronesian-speaking “heathen,” as Campbell put it, in a language and idiom they could comprehend. After several decades out of sight following the Dutch departure in 1662, the Romanised script re-emerged in the Qing period, mainly for land leases, sales and other transactions. The latest surviving document dates from 1818. Meanwhile, spoken Siraya followed a different course, receding from everyday use amid migration, intermarriage and shifting rule, but leaving traces in religious hymns and place names.

In 1888, Campbell reprinted Gravius’s Gospel in London, adding English alongside the original languages. By doing so, he kept an otherwise rare text in circulation and made an early record of Siraya available for missionary work. The text travelled from Taiwan to the Netherlands and then to Britain, acquiring another life in Campbell’s edition.

Campbell could not have imagined what came next. When Siraya activists and linguists began recovering their ancestral language in the late 1990’s, the Gospel offered something more valuable than a list of forgotten words: a language in use, revealing grammar, expression and meaning through narrative. Alongside other historical texts, it contributed to dictionaries, teaching materials and new generations of speakers. In July 2026, after years of activism and cultural renewal, Taiwan officially recognized the Siraya as its 17th Indigenous group, a decision supported by historical records such as Campbell’s edition and the living voices they enabled.

View the Gospel and consider what its history tells us about the life of a book.👇

Want to win free UofE merch? 🤑 Participate in the Social Media Challenge this Welcome Week (14-17 Sept 2026)! 🤩Follow th...
24/08/2026

Want to win free UofE merch? 🤑 Participate in the Social Media Challenge this Welcome Week (14-17 Sept 2026)! 🤩

Follow this account to see the clue posted daily at 8am. 🕵️ Be one of the first 60 to solve the clue and find the correct location to win a prize:
Monday: UofE pennant 🚩
Tuesday: UofE water bottle 💦
Wednesday: UofE beanie 🧢
Thursday: Rory McCoowan, the highland cow plushie 🧸
Answer correctly on all four days to win the grand prize: a University of Edinburgh jumper! 👕

Rules, Terms and Conditions:
• Challenge clues will be released at 8am daily from Mon 14 to Thurs 17 Sept.
• The form through which participants will enter their response will be accessed via the link in bio on the University of Edinburgh Libraries Instagram.
• Participants are limited to one of each prize.
• Prizes are limited to the first 60 successful participants per day.
• Successful participants must present an email confirming their submission to receive a prize.
• The grand prize of the UofE crest jumper is limited to the first 40 participants to come to the giveaway desk in the Main Library after completing all four challenges.
• Successful participants can collect their prizes from the giveaway desk in the Main Library Mon 14 to Thurs 17 Sept, 9am-5pm and Fri 18 Sept, 9am-12pm.
• The Welcome Week Social Media Challenge ENDS on Fri 18 Sept at 12pm. No prizes can be collected after this point.

EdHelp can help your with questions related to Library, IT, Student Finance and Student Administration. Whether you need...
21/08/2026

EdHelp can help your with questions related to Library, IT, Student Finance and Student Administration. Whether you need information about how to pay your fees, how to use your library, or how to get a laptop loan, EdHelp is here to help! ℹ️🏛️

🔗Click the link in our bio to learn more!

New or returning student at UoE? Don’t forget to register and let the University know your intentions to start or contin...
20/08/2026

New or returning student at UoE? Don’t forget to register and let the University know your intentions to start or continue studying here.🏛️👩‍🎓
 
🏫️As part of the registration process, you’ll be asked how you want to pay your tuition fees which includes confirming alternative funding such as sponsorship, loans, or government funding.
 
‼️Make sure you complete this ASAP for a smooth sailing academic year ahead of you.
 
📖With less than a month to go before Welcome Week, the Library is looking forward to having our students back in our libraries. Keep an eye out for announcements from us leading up to Welcome Week!
 
🔗Visit the link in bio for more information on how to complete your top tasks and more for New Students! 
 

Kinda chic to be an incoming student and study at our libraries 🏛️📖🤩 Don’t forget to apply for your student card, set up...
17/08/2026

Kinda chic to be an incoming student and study at our libraries 🏛️📖🤩
 
Don’t forget to apply for your student card, set up your authentication app, complete your top tasks, and keep an eye out on this page for Welcome Week announcements. Stay tuned to find out how to win some freebies once Welcome Week comes around! 📚
 

Welcome Week is on its way, just as Chris Nolan intended.🍿 And if you’re a new or incoming student, it’s important to co...
15/08/2026

Welcome Week is on its way, just as Chris Nolan intended.🍿
 
And if you’re a new or incoming student, it’s important to complete your Top Tasks before you arrive for the awesome events taking place during Welcome Week. 📖
 
🔗Visit the New Student website linked in bio, for guidance and information on all the tasks you need to complete before the start of term.
 

Whenever Hollywood revisits Homer, debate soon follows: how faithfully should an adaptation adhere to its ancient source...
13/08/2026

Whenever Hollywood revisits Homer, debate soon follows: how faithfully should an adaptation adhere to its ancient source? Yet the enduring power of classical literature lies precisely in its remarkable ability to travel across languages, cultures, and centuries. It emerges renewed with every retelling.

Few journeys are as singular as that of The Odyssey into the Chinese-speaking world. In 1929 Shanghai, the translator Fu Donghua (傅東華) introduced Homer to a new readership shaped by a literary tradition in which expansive prose fiction, rather than epic verse, had long been the dominant form of storytelling. Rather than reproducing Homer line by line, Fu adopted what translation theorists would later call a "domesticating" approach. Drawing on the idiomatic rhythms of vernacular Chinese and the episodic momentum of early modern fictions, he transformed Odysseus's voyage into an adventure that felt vividly at home in Republican China. Later translators seeking closer fidelity criticized his liberties, yet Fu's version remains an extraordinary example of how translation can bridge cultures.

For many early twentieth-century Chinese intellectuals, Greek mythology opened a strikingly different mythological imagination. Zeus, Athena, and Dionysus appeared gloriously impulsive, contradictory, and deeply human, standing in striking contrast to many figures from Chinese mythology, whose stories had long been filtered by centuries of philosophical and religious traditions.

Its story did not end there. After the 1949 divide, Fu remained in mainland China, and his name became politically unacceptable in "Free China" Taiwan. Publishers simply removed his name from title pages or replaced it with fabricated attributions, enabling his translation to remain in circulation. For generations of Taiwanese readers, The Odyssey continued its journey through an almost invisible translator.

Curious to follow this voyage through translation history? View the comments below to explore the original scans of Fu’s The Odyssey. Have you encountered another translation that carried a familiar story into an unexpected world? Share your discoveries with us.

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