Westminster City Archives

Westminster City Archives Archives Centre and Local Studies Library for City of Westminster

We're the premier destination for exploring the social, economic and cultural history of City of Westminster. Nestled in a quiet street, just a stone's throw from Westminster Abbey and the Houses of Parliament, City of Westminster Archives Centre houses a host of manuscript sources, historic photographs, prints, books, maps, and much more, unlocking the door to the past of our fascinating city. Ou

r special Art and Design Collection has been recognised as being of national importance, and our extensive Theatre Collection is one of the most extensive public collections on the history of the West End stage. Our page is a great way to stay in touch with everything going on at the Archives Centre, from brand new exhibitions, walks and talks, to on-line projects and the latest additions to our collections.

Today we are sharing something because it is almost precisely the opposite of relevant to our territory. Because our pat...
19/08/2026

Today we are sharing something because it is almost precisely the opposite of relevant to our territory. Because our patch was so urbanised from so early a date, we do not have very many materials about any aspect of farming, but maybe the following will nevertheless be of interest to our audience here on Facebook.



One of us is spending a lot of time up in Staffordshire at the moment, dealing with family issues, and, of course, for light relief they popped into a local studies service there and stumbled across the book in our photograph today. Despite its parochial-seeming title, it has relevance at a national level for the history of agriculture in Britain.



As part of the general process in Britain in the seventeenth to nineteenth centuries, known as the British (or Second) Agricultural Revolution (the well-known enclosures and conflict over the Corn Laws were a part of this), a nationally administered system was set up to offer loans to landowners to improve farmland, especially by installing modern drainage systems and improving or extending farm buildings. A system was set up for inspection and assessment of viability of proposed improvement works in order for loans to be approved, whether the money came from the government or was raised privately. This work was done by people such as local land agents, estate managers, surveyors, etc. and reports made to the Inclosure Commissioners, who administered the whole scheme and approved loans.



Andrew Thompson was such a person, being agent to Ralph Sneyd's Staffordshire estate. The loan reports that he did for the Commissioners seem still to be the only large body of such reports to have surfaced anywhere and are in the Sneyd papers in the library of the University of Keele (S3182-6). They exist because Thompson made copies of what he sent to the Commissioners, not because there is any central repository of the reports that has been found. The book is a publication (along with accounts of wider context) of the reports that Thompson made on 26 estates in Staffordshire, though he wrote reports on 180 estates in all across England and Wales, which are listed in the book and happen to include weirdly one in a parish adjacent to this writer's mother's parish in NE Wales. Altogether they cover an area from the west coast of Wales to the east coast of England, and from County Durham in the north to Wiltshire in the south, though with an understandable concentration in the English Midlands. These records potentially provide a set of quite detailed snapshots of the state of agriculture at the time over quite a wide area, though it seems that no more of them have been published since this book.



[For bibliographic completeness: Phillips, A. D. M. ed., 'The Staffordshire Reports of Andrew Thompson to the Inclosure Commissioners, 1858 – 68: Landlord Investment in Staffordshire Agriculture in the Mid-Nineteenth Century', Collections for a History of Staffordshire, Fourth Series, Volume Seventeen, Staffordshire Record Society, Stafford, 1996.]



Image Description: Contemporary colour photograph. The hardback book lies on a pale wooden surface, front cover upwards, a coloured spine label visible along the left edge. Dark pink lettering gives much of the bibliographic information over a pale, greyish blue representation of a print, which shows a rural scene. In the foreground of the scene, two pairs of people observe what is going on in the field in front of them from behind fencing. In the middle distance, workers appear to be working in and/or digging parallel trenches in the field, which may be works to drain the field. In the distance, groups of people gather near horses, horse-drawn carts, and temporary tents, suggesting an agricultural event or fair. Mature trees frame the scene, and the landscape stretches into the background.

Today we are continuing last week's theme of conservation with a link to a recording of an online seminar that one of ou...
12/08/2026

Today we are continuing last week's theme of conservation with a link to a recording of an online seminar that one of our conservators attended a few weeks ago. It was presented under the auspices of the Archives and Records Association UK & Ireland (www.archives.org.uk) and covered various aspects of how we care for, access, and learn from the medium of books.

https://youtu.be/G5OCAmnJlF8

Image Description: Contemporary logo. On a greyish blue background, there are the capital letters ARA in white in a very simple typeface laid out so that they join, except that the first member of the A is made up of four parallel yellow lines, with the outer two curling up at the bottom.

Today we are sharing a photograph of a conservation workshop we ran for the general public on techniques for cleaning bo...
05/08/2026

Today we are sharing a photograph of a conservation workshop we ran for the general public on techniques for cleaning books, in the sense of manuscript ledgers, for example. This was delivered in connection with our current multiple ongoing projects in relation to archive materials we hold from the tailors Beale and Inman of Bond Street, under the rubric Threads of Elegance. This inspiring initiative brings together local residents, SEN students, young creatives, former employees, and heritage professionals to celebrate diversity, uncover hidden stories, explore endangered crafts, and fashion sustainability.



Image Description: Contemporary colour photograph. Large, modern, institutional interior. Groups of four young to middle-aged people sit around four medium-sized tables. They are all wearing white, plastic, full-length disposable aprons, disposable face-coverings, and disposable gloves. The tables are covered with white, paper tablecloths. The people are engaged in cleaning the pages of volumes with specialised brushes, while the volumes are well-supported against white blocks on the table.

To mark South Asian Heritage Month, we are sharing a programme from our theatre collections from 1947.   Born in Bangalo...
29/07/2026

To mark South Asian Heritage Month, we are sharing a programme from our theatre collections from 1947.



Born in Bangalore, India, in 1912, Ram Gopal was an innovator of Indian Dance in the twentieth century. He created a style of dance that fused classical Indian Dance with ballet choreography. He successfully introduced his dance style to global audiences during the interwar/mid-twentieth century period, making his London debut in 1939 to packed audiences at the Aldwych Theatre and later the Vaudeville Theatre. Following the resounding success of his early London performances he returned many times over the following decades with his company of Indian Dancers and Musicians.



This particular programme contains quite a lot of detailed information about different genres of Indian Classical Dance from different areas of the vast and culturally varied sub-continent, as well as an item by item account of what is performed.



Image Description: Contemporary colour photograph of the front cover of the programme. It lies on a pale brown background. It's in black and red ink on white paper. Above is the name of the theatre – Princes Theatre – with some further details of address, telephone number, and senior personnel. At the bottom is the price– sixpence. Dominating the space is a black image resembling a woodcut in style of Ram Gopal in costume, with above, the heading 'Ram Gopal and his Indian Dancers and Musicians. The image is captioned as 'Ram Gopal as Siva the Hunter' and attributed to Kay Ambrose. The image shows Gopal's body facing us, with his head turned to his left. His left leg is stretched straight to our right, to the ground with the foot turned outwards, while his right is bent at the knee, and again with the foot turned outwards. His arms and hands are posed as though he is holding a bow and arrow and about to shoot to his left. He has an elaborate headdress, bangles at wrists, ankles, and upper arms, a pectoral, a large garland, a decorated loin cloth, with something a little like a sporran hanging from it, and what looks like a large cloak-like area of cloth hanging down behind from his waist. The whole has a stylised, geometric background.

Today we're sharing information about a really appealing exhibition for art lovers as much as for people interested in l...
22/07/2026

Today we're sharing information about a really appealing exhibition for art lovers as much as for people interested in local history: From Oar to Easel – The Lost Genius of Chelsea's Walter Greaves. Our colleagues over in Kensington and Chelsea are mounting this exhibition of work by the little-known artist (1846 – 1930), who was born 180 years ago, the son of a Chelsea waterman. His art provides a vivid visual record of the Thames foreshore before the construction of the various Embankments: a world full of work on and near the river. The exhibition was made possible by the National Lottery Heritage Fund, and we in Westminster Archives supported with conservation work on exhibition items. The exhibition runs from tomorrow to the 24th of August at the Chelsea Gallery, Chelsea Library, Chelsea Old Town Hall, Kings Road, London, SW3 5EZ. Enjoy!



Image Description: Portrait format poster advertising the exhibition, with text conveying information almost identical to that given in the main text of this post. The top two thirds of the poster are taken up with a reproduction of part of a very richly toned painting showing the Thames foreshore with what look like 18th or 19th century warehousing along it to the right. The river is shown to the left, curving away to the left, with about 10 Thames barges either moored or sailing in various locations, with their characteristic earthy red sails. A large wooden sign in the middle distance of the foreshore says 'GREAVES / BOATS TO LET', and there are several rowing boats in the water nearby and hauled up on frames above the beach, filling the space of the foreshore coming towards us. There are some people almost in the water, but apparently standing on a submerged structure, also in the middle distance, and a horse and cart of some sort on a moored barge, with also some people, just beyond the Greaves sign. Right in the foreground are two men standing, one holding an oar in his right hand, upright, the blade upwards, against the front of his right shoulder.

As part of our services, in common with public libraries across Westminster, members of the public can use machines in o...
18/07/2026

As part of our services, in common with public libraries across Westminster, members of the public can use machines in our building to do photocopying or to print from their own files, or from online sources, all within copyright rules, of course. We ask that users join Westminster Libraries (https://www.westminster.gov.uk/leisure-libraries-and-community/libraries/how-join-library?fbclid=IwY2xjawTIIgxleHRuA2FlbQIxMABzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeYcOIWcPwrwIq_PConjHRCRm86o8lTphEoOst8TnsbqvfWONVpXD-orDJUZs_aem_hG3cMR2ImCdeHBznsUzPxA), and there are charges (to cover the expense of cartridge ink mostly). The fees are here: https://www.westminster.gov.uk/leisure-libraries-and-community/libraries/library-fees-and-charges/photocopying-faxing-and-printing-charges?fbclid=IwY2xjawTIIiRleHRuA2FlbQIxMABzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe-wx0AkHx4-ssFuzsaL8e-XhWbmuLM6kO6ZLb0gJhHqvgl3810De8ZPO3uZk_aem_HNnaArusK0nxXRmFXW3_kA. Our image today is of the photocopier in our search room.



Image Description: Contemporary colour photograph. Large free-standing photocopier in white, black, and grey plastic. Metal microfilm cabinets in the background, dark brown bodies with yellow or beige drawers.

Today we have another post about the invaluable work that our dedicated volunteers do behind the scenes to support us in...
08/07/2026

Today we have another post about the invaluable work that our dedicated volunteers do behind the scenes to support us in the work of preserving and making accessible our diverse collections.

One of our long-serving volunteers has been doing something that may seem a little bizarre at first, but given the cost of archival/conservation quality materials, is worth doing. We often use white ribbons to hold together archive items, say volumes where the front and back boards have (partly) detached from the main body. If for any reason, ribbon is no longer needed, say the volume is now housed in a purpose-made archive box, then we obviously have spare, used ribbon. Our volunteer is sorting through used ribbons, discarding what is dirty, taking the clean ones and ironing them, and then winding them onto cardboard strips, so that they are neat and flat, ready for re-use. Quite apart from the money saved on new materials, we are also creating less waste and using fewer production resources.

Image Description: Contemporary colour photograph. View of a conservation laboratory/studio. In the background, a range of sinks, cupboards, and worktops running along a wall. The volunteer is viewed from a slightly elevated, slant, rear position, to their right. They are sitting at a large table / work bench. A small box in front of them contains the strips of card with the lengths of ribbon wound round them. The volunteer is ironing a ribbon with their right hand, holding one end in their left at the front of the iron; the other end of the ribbon, looking much flatter, is protruding from the rear of the iron.

Today we’re sharing the details of a significant ‘archive intervention’ at a national level that we were involved with, ...
03/07/2026

Today we’re sharing the details of a significant ‘archive intervention’ at a national level that we were involved with, which resulted in our receiving a major business archive. The following is edited from a press release put out by the Business Archives Council, one of our partners in this process.

Debenhams archive saved by cross-sector collaboration

A major rescue effort has secured the future of the historic Debenhams archive.

After department store chain Debenhams went into administration in 2020, the Crisis Management Team (CMT) for Business Archives moved quickly to safeguard its archives – an important record of more than 200 years of retail history.

The collection is diverse, including early company diaries, advertisements, store photographs, staff records, and even examples of staff uniforms and own-brand products.

Founded in 1778 as a single shop in London, at its peak it had department stores in 178 locations worldwide. Its brand and website are now owned by Boohoo.

Debenhams’ archives were saved by an extraordinary cooperative effort across several sectors, including from the Business Archives Council, Geoff Rowley and Alastair Massey (the Administrators) of FRP Advisory and their agents at Hilco. Collections information was provided by Janice Tullock Associates. Emergency storage for the collection was provided by the South West Heritage Trust, supported by a Records at Risk grant from The National Archives. The collection has now been permanently rehoused at the City of Westminster Archives Centre.

Dr Michael Anson, Chair of the Business Archives Council, said: “We are delighted that Debenhams history has been saved. This successful collaboration between heritage and insolvency sectors is sending a clear message: keep archives of businesses for future generations, so they are not lost forever.”

The Administrators said “Household brands like Debenhams are an important part of our cultural and economic history, so we’re happy to have played a part in preserving this historic material. We hope it will offer lasting value to researchers, historians and the wider public.” Two case studies detailing the collaborative rescue operation and showcasing highlights from the collection are now published on the Managing Business Archives website. City of Westminster Archives Centre is now working towards cataloguing the collection so it can be accessible to researchers.

Case Studies:

Collaborating across sectors: saving the Debenhams archive https://managingbusinessarchives.co.uk/saving-the-debenhams-archive

Bringing the Debenhams Archive to The Nation: Collection Highlights and Future Plans https://managingbusinessarchives.co.uk/debenhams-archive-highlights-future

The Crisis Management Team for Business Archives co-ordinates efforts to preserve business records in cases of liquidations, administrations, takeovers and other circumstances where records may be in danger. It includes representatives from the Archives and Records Association, the Archives and Records Council Wales, the Ballast Trust (Scotland), British Records Association, Business Archives Council, The National Archives, and individuals from the academic and archive sectors.

The Managing Business Archives website is maintained by the Business Archives Council and was co-created by the Business Archives Council and The National Archives.

(Image courtesy of Janice Tullock Associates Ltd and Debenhams)

Image Description: Contemporary colour photograph. Close up of the front of a ledger. It is bound in brown leather with a decorative tooled border, and has embossed gold text in the centre saying ‘ DEBENHAMS LTD. / WORKROOM STAFF (FEMALE) / SAVINGS FUND / AND / PENSION FUND’. To the left, where the leather has peeled back, one can see a partly metal form of binding mechanism. Above is visible the lower part of the cover of a similar ledger.

We are sharing today a photograph that we think needs no commentary this week, apart from the basics: it shows Norfolk R...
24/06/2026

We are sharing today a photograph that we think needs no commentary this week, apart from the basics: it shows Norfolk Road, at the junction with Woronzow Road, in the snow, and was taken in about 1953 by Hansi Boehm for a St Marylebone Society photographic competition. Enjoy!

Archive ref: T138 Norfolk Road (002)

Image Description: Black and white photograph. The whole image shows varying degrees of lying snow under a sky of solid cloud. It was apparently taken from an upper window of a corner building, looking diagonally across the crossroads. We see what look like four pairs of perhaps late Victorian semi-detached ‘villas’ on the opposite side of the road on the far side of the junction, the roadways, pavements, garden walls, and a couple of parked cars. In the bottom foreground is the hedge of the garden of the building the photograph is apparently taken from, visibly turning the corner of the junction. The whole left foreground is taken up with a bare tree, standing roughly on the hedge line.

June is Pride Month and today we are further sharing the applicant advert for an exciting co-operative project between u...
19/06/2026

June is Pride Month and today we are further sharing the applicant advert for an exciting co-operative project between us and the University of Westminster. We are looking for applicants to carry out PhD level research into the history and nature of gay businesses in Soho, using our archive materials. The deadline for applications is the 10th of July. Link below. Good luck to all those that apply!

Our photograph today is of Rupert Street, one of those forming the heart of gay Soho now, but taken on the 5th of April 1980, just before openly gay businesses really took off in the area.

https://www.westminster.ac.uk/study/postgraduate/research-degrees/studentships/ahrc-doctoral-landscape-award/the-development-of-a-gayborhood-in-post-war-london-mapping-soho-and-its-archives

Archive ref: D138 Rupert Street (007)

Image Description: Black and white photograph looking straight down a bustling street-market scene. Stalls on the roadway hemming in the street between tall 19th-century buildings, with some more modern ones visible at the end. In the foreground on the left is a stall that has partly the appearance of a small, tall, enclosed wagon, with wooden wheels. The street is bustling with shoppers between the two rows of stalls. In the foreground right is a City of Westminster refuse cart piled high with wooden crates and cardboard boxes. A broom and hessian sack are attached to the near end which also has a pole and bar attached which makes it look as though it is horse or person drawn. It is basically of wooden construction and has large wooden wheels.

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