30/01/2026
NCAC’s Cultural Renaissance: 2025 Repositions Gambian Heritage at Home and Abroad
As The Gambia closed the chapter on 2025, the year was marked by renewed momentum in arts, culture, and heritage preservation. From safeguarding endangered traditions in rural communities to promoting Gambian creativity on international stages, the National Centre for Arts and Culture (NCAC) achieved milestones reinforcing culture as both a national identity and a development tool.
In an exclusive year-in-review interview, NCAC Director General Hassoum Ceesay described 2025 as a year that “consolidated progress and laid strong foundations” for the future of Gambian culture under the Ministry of Tourism, Arts and Culture (MOTAC).
Safeguarding Living Traditions
One of NCAC’s major achievements in 2025 was The Gambia’s recognition under the UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. The country became one of only three African nations to benefit from UNESCO’s International Assistance Programme for inventorying intangible cultural heritage.
Through this initiative, 30 communities in the Central River Region (CRR) will document 90 elements of living heritage, including rituals, ceremonies, healing practices, food traditions, and performances.
“For heritage to be protected, it must first be identified and documented,” Ceesay said. “This project will give The Gambia, for the first time, a master inventory of its intangible cultural heritage.”
Community consultations and workshops began in 2025, with fieldwork set to continue in 2026.
Gambian Artists on the World Stage
Artist mobility was another defining feature of the year. NCAC intensified efforts to ensure Gambian creatives showcased the nation’s culture abroad, in line with UNESCO conventions.
In 2025, Gambian artists performed in Algeria at the Creative Arts Nexus organized by Afreximbank, in the United Kingdom at the Yaram Arts Festival, in Senegal during the ECOWAS-supported ECOFEST, and in China, where a cultural delegation strengthened bilateral relations through performance and exchange.
“These performances change the narrative about The Gambia,” Ceesay noted. “They promote us as a country with a rich history, vibrant creativity, and strong cultural identity, while also boosting tourism and cultural diplomacy.”
Several artists also toured Europe and the United States, supported by NCAC through official attestations facilitating visa processes.
Festivals, Freedom, and Cultural Rights
At home, 2025 saw a surge in community-driven cultural festivals, reflecting growing artistic freedom and cultural rights. Highlights included film festivals organized by Gambian filmmakers, the inaugural Kunta Kinteh Cultural Week and Book Fair, and village festivals such as the Janjanbureh Kankurang and Masks Festival, Kansala International Cultural Festival, and Banjul Cultural Festival.
The celebrations peaked during The Gambia’s Diamond Jubilee, marking 60 years of independence, with NCAC mobilizing artists nationwide for a distinctly Gambian cultural spectacle.
“These festivals show that culture is alive at the grassroots,” Ceesay said. “They reflect freedom of expression and community ownership of heritage.”
Heritage Sites: Progress and Perils
In museums and monuments, notable progress was achieved despite persistent challenges. Under the Tourism Resilience Project, studies and designs were completed to protect Kunta Kinteh Island from erosion, improve access via a jetty, and enhance mainland heritage sites such as Maurel Frères, CFAO, and San Domingo buildings.
The government-funded facelift of the Mungo Park Memorial Obelisk was completed in 2025, transforming it into a fully serviced heritage site with fencing, water supply, visitor facilities, and a planned museum.
NCAC’s digitized oral archives and libraries recorded increased use by Gambian and international researchers, students, and scholars.
However, Ceesay acknowledged threats to heritage sites in remote areas, particularly bushfires. In response, NCAC worked with communities to establish fire belts around vulnerable sites such as the Wassu Stone Circles, a strategy to be expanded nationwide in 2026.
Funding, Partnerships, and Capacity Building
Despite financial constraints, NCAC benefited from targeted government and partner support. MOTAC backed the revamped Banjul New Year Cultural Festival, which in 2025 adopted a more inclusive and safer format. EU-supported projects provided water supply to heritage sites and funded a 10-day training program for 30 emerging musicians, covering copyright, financial management, branding, and performance skills.
Capacity building extended internally, with more than 25 NCAC staff attending international training in Senegal, Turkey, China, and beyond, covering underwater heritage management, museum studies, performing arts, and intangible cultural heritage.
“These trainings have transformed our outlook and boosted staff morale,” Ceesay said. “They bring new methods and global best practices into our work.”
The year also saw the opening of the Yunus Emre Cultural Institute in Senegambia, where NCAC played a key role. The institute now offers exhibition and performance spaces for Gambian artists while promoting cross-cultural dialogue.
Looking Ahead to 2026
In 2026, NCAC plans to mount new exhibitions at Fort Bullen and the Mungo Park Memorial, commence fieldwork for the CRR intangible heritage inventory, and expand support for community festivals using the successful Banjul model of coordination, security, and fundraising.
Another major project is the Sir Dawda Kairaba Jawara Mausoleum. Once handed over to MOTAC, NCAC will oversee the technical work to mount a museum exhibition chronicling the life and legacy of The Gambia’s founding president.
“This is a national heritage project,” Ceesay said. “It will tell the story of Sir Dawda Jawara through objects, documents, vehicles, and personal effects for generations to come.”
As 2025 fades into history, NCAC’s work has reaffirmed that culture is not merely a reflection of the past, but a living force shaping The Gambia’s future, locally rooted, globally connected, and increasingly resilient.