Cliffoney remembers Fr Michael O'Flanagan

Cliffoney remembers Fr Michael O'Flanagan Fr Michael O'Flanagan, 1876 - 1942, priest, historian, Republican, inventor of the swimming goggles. Fr. O'Flanagan was sent to Cliffoney in August 1914.

This page was set up to mark a commemorative weekend at the end of June, 2015, in memory of Fr. Michael O’Flanagan and the remarkable events in Cliffoney in the autumn of 1915. A great public speaker, socialist, and reformer, O'Flanagan stood up for the local people in June of 1915, in what became known as the Cloonerco bog fight. About 2 miles from Cliffoney, there were 300 acres of bog owned b

y the Congested Districts Board, from which locals were forbidden to cut turf. On Sunday 28th June, Father O’Flanagan asked the congregation to remain after mass, when he told the people to go home and sharpen their spades, and to gather at the church the following morning. Next day, he led a march up to Cloonerco bog, where he cut the first sods himself in defiance of the R.I.C. who had followed the march. The large quantity of turf that was cut that day was quickly saved and brought down to the village, where it was stacked in a reek in front of Cliffoney hall. Father O’Flanagan put a tri-colour on the stack of turf, with a banner in Irish saying Ar Moin Fein (Our turf for ourselves); the R.I.C. from the barracks across the street would remove the flag, and Sinn Fein would have another up next day, and this went on for some time. In October of 1915 Bishop Coyne abruptly transferred Father O’Flanagan to Crossna in Co Roscommon. The people of Cliffoney were having none of this; they wanted their curate back. It was decided to lock the village church until Bishop Coyne sent Father O’Flanagan back to Cliffoney. This was the beginning of the ten week period known as the Cliffoney Rebellion. Sentries kept watch at the church night and day. A large delegation from the Parish of Ahamlish, some 300 in all, made their way into Sligo , but the Bishop would not meet with them. The church remained locked until Christmas Eve, 1915. For more information about the fascinating life of Fr. Michael O'Flanagan, visit:

http://www.carrowkeel.com/frof/

and

https://en.wikipedia.org/wiki/Michael_O%27Flanagan

18/05/2026
17/05/2026
https://www.youtube.com/watch?v=A-MX1HthgPE
16/05/2026

https://www.youtube.com/watch?v=A-MX1HthgPE

Michael Quirke:Sligo Wood Carver Michael Quirke joined us for a chat on our Creative Sligo series.Michaels shop is one of the most iconic stops in Sligo for ...

04/05/2026

A wonderful watercolour of passage-grave number 7, known in Victorian times as the Kissing Stone, by an unknown artist, painted around 1880. The Kissing Stone is on of thirty early passage-graves remaining of an original 50 - 60 such monuments at the Carrowmore Megalithic Cemetery in County Sligo, Ireland's largest and oldest collection of Neolithic burial sites.

The caption says:

"This dolmen and circle are perfect, diameter ft, 32 stones in circle. It was described by our guide as the 'fashionable dolmen', very close to the road it is the one usually visited by tourists. In the distance is the hill of Knock na Rea, with the great cairn supposed to be the burying place of the celebrated Queen Maeve who reigned contemporaneously with Agustus Ceaser. The cairn is 590 ft circumference, 79 ft slope high."

https://www.facebook.com/carrowmoreopw

09/02/2026

St Brigid has Left the Building!

Over the last decade or so, St Brigid has been quietly replaced.

One day she was a historically awkward, yet stubbornly specific figure - a woman embedded in early medieval Irish society, religion and power - and the next she had become a goddess of creativity, healing and vaguely defined “energy”.

So rather than spend my St Brigid’s day scrolling through endless (mainly AI) posts about how Brigid the goddess of Irish mythology was somehow transformed into the Christian saint; my daughter and I headed into Kildare Town to check out the Brigids Day Festivities.

Despite the website’s description of the event as one that - “honours St. Brigid, Ireland’s only female patron saint and her lasting legacy as a symbol of compassion, inspiration, and equality” - and having been a year or so ago - I knew it wasn’t going to be the Catholic Holy-Day "celebrations" I remember from my youth.

However, I went to the ‘Brigid - Spirit of Kildare’ event expecting… if not reverence to the saint, then at least recognition of the woman; who came to be called Brigid.

After all, this was St Brigid’s Day and this was her place. A town that built its identity, around a woman who - whatever else one believes about her - once mattered enough to leave an institutional mark on the Irish landscape.

What I found instead was Brigid everywhere and nowhere.

Her image was illuminated on buildings in soft-focus celtic-style illustrations. Her name was invoked in opening ceremonies and closing blessings. Brigids Crosses became pyrotechnic theatre as her sacred flame twirled in the hands of the fire-dancers. All accompanied by the kind of ethno-celtic muzak you would expect to hear piped into a Wellness Spa anywhere in the world.

And yet the Brigid who belongs to Kildare - the founder, the abbess, the woman whose memory is inseparable from this landscape, was conspicuous by her absence.

The institution she founded, the cathedral itself (rebuilt in the 13th Century on site of the original monastic foundation of the 5th Century) is possibly the oldest site of continuous worship in Ireland. Yet it functioned merely as a scenic backdrop rather than a focal point of the celebration.

That honour was instead given to a small out-house in the grounds of the cathedral - dating to no earlier than the 13th Century AD and rebuilt in the 1980’s - which has since been “rebranded” as (the goddess) Brigid’s Fire Temple.

Brigid’s own choice of faith was largely treated as an inconvenience or an afterthought, politely ignored rather than represented as part of her legacy. In effect, Brigid had been detached from the very place that gives her meaning. Turned into a generic/homogenised goddess that can be celebrated anywhere and so belongs nowhere...

That, to my mind, is the clearest sign that something has gone wrong.

I write this not as a defence of institutional Christianity. Nor is it simply a matter of taste or even pride in my home County. What was on display in Kildare Town is part of a wider shift: A social media led, corporate makeover of our cultural heritage by the wellness industry… being sold as “Authentic Irish spirituality”.

Whether we admit it or not, the modern Goddess Brigid operates within a spiritual marketplace. Where beliefs are modular. Traditions are curated. Symbols are chosen for resonance, aesthetic appeal and emotional payoff… but what is the cost to the real woman Brigid

The Brigid who represented something genuinely challenging: a woman who refused marriage, exercised authority, controlled resources, and founded an institution that shaped Irish history. That kind of power is uncomfortable because it happened within constraint - within Christianity, within patriarchy, within history.

To insist that Brigid’s power comes from her divinity, is to repeat a deeply familiar logic: that women can only be powerful through divine intervention. Medieval hagiographers explained Brigid’s authority by subordinating it to God and making her a saint. The modern Goddess Brigid explains it by denying her humanity altogether.

At least the saint, although sanctified, remained a real woman (for nearly 1500 years anyway) who chose a difficult path and succeeded. The goddess cannot choose. She has no stakes, no risks, no agency. She is a symbol, not a subject.

If Brigid’s significance can only be explained by divinity, then her humanity becomes irrelevant.

———————————————-

As I left Kildare that evening, the lights were still glowing, the music still drifting across the market square, the sacred flame still burned symbolically. People were smiling, hugging, speaking about renewal and connection.

But I couldn’t escape the feeling that something had been profoundly missed. Not a goddess. Not even a saint. But a woman.

A woman whose memory was strong enough to have survived centuries of institutional control, folkloric adaptation, and cultural change. Yet fragile enough to be erased by a bank holiday of good intentions and bad history.

Don't get me wrong we had a great day and well done to all who helped put it together - the fire display was spectacular and there was loads to see and do. But I get the feeling if the real Brigid were to be there, she wouldn’t have recognised herself... and worse, she wouldn’t have had a place in the parade.

And that, more than anything else, tells us what St Brigid’s Day has become.

Image: 'St Brigid was here' by Simon Tuite (original mural by Mister Copy)
Text: by Simon Tuite

12/01/2026

Dr Marion Dowd is currently researching the children's burial grounds of County Sligo. At present, 23 sites have been recorded for the county, but her work over the past six months has increased this figure to 52 sites.
If you know of any cillíní within the county, do please get in contact with Marion at: [email protected]

The following lecture may be of interest.

Children's burial grounds, commonly known as cillíní, occur across Ireland. These were informal burial grounds used between the 1700s and the 1960s for the burial of unbaptised babies and those denied burial in consecrated ground by the Catholic Church. Typically, the unbaptised baby was buried at night by the father or closest male relative, without ceremony or funeral, and placed in an unmarked grave. Many ringforts and abandoned ecclesiastical sites were re-used for burial of the unbaptised. In other cases, babies were buried beside the home, on the seashore, and along townland boundaries. Until recently, 23 cillíní were recorded in County Sligo, but new research has more than doubled that figure.

📅 𝗪𝗲𝗱𝗻𝗲𝘀𝗱𝗮𝘆 𝟮𝟭 𝗝𝗮𝗻𝘂𝗮𝗿𝘆
🕐 𝟭.𝟬𝟬 𝗽𝗺 𝘁𝗼 𝟮.𝟯𝟬 𝗽𝗺
📍 𝗦𝗹𝗶𝗴𝗼 𝗖𝗲𝗻𝘁𝗿𝗮𝗹 𝗟𝗶𝗯𝗿𝗮𝗿𝘆

Booking required
📞 0719111675
✉️ [email protected]

27/12/2025

Father Michael O'Flanagan was suspended by the Catholic Church three times. He was firstly moved from Roscommon town to Cliffoney as a punishment for his outspoken views on social and Republican matters, in 1914. After fifteen months in Cliffoney he was removed by Bishop Bernard Coyne, for speaking up about food shortages during World War I, and sent to Crossna.

His first suspension, which lasted for six months, came in 1917 after his involvement in the Election of the Snows, when Count Plunkett was elected as an independent candidate for North Roscommon, which came as a huge shock to the IPP, the main Irish Nationalist party. During the summer of 1917, while he was suspended, O'Flanagan was active in the Mansion House Committee, and was instrumental in reorganising Sinn Féin and organising the October Ard Fheis, where he was elected VP of that party.

His next suspension came in the summer of 1918, as punishment for his involvement in the East Cavan by-election, when his fellow Sinn Féin VP, Arthur Griffith, then incarcerated during the spurious 'German Plot', was elected, defeating John Dillon. O'Flanagan was reinstated after eighteen months.

Father O'Flanagan's third and final suspension came in 1925, after he returned from a lengthly fund raising tour in the United States and Australia. O'Flanagan was openly critical of the Treaty, the Free State, and the Catholic Church's refusal to grant the Sacraments to Republican prisoners and hunger strikers. This final suspension was to last for thirteen years.

During this thirteen year period O'Flanagan invented and patented the modern swimming goggles, edited and published the Ordnance Survey letter, a monumental task in its own right, wrote several educational County Histories, and was the lone Catholic voice to speak out about the evils of Franco's dictatorship in Spain.

For more information on this courageous individual, who deserves be much better known for his work in the cause of Irish Nationalism, look at the 1976 RTE documentary, to which we have added images.

https://www.youtube.com/watch?v=8qBQM5F3Pm4

==============================
https://www.facebook.com/FrOFlanagan

Nicola Gordon Bowe recalls how Harry Clarke’s homage to Ireland’s most celebrated writers fell foul of censorship in the...
20/12/2025

Nicola Gordon Bowe recalls how Harry Clarke’s homage to Ireland’s most celebrated writers fell foul of censorship in the early days of the Irish Free State

In November 1926, when Harry Clarke received an invitation from the Department of Industry and Commerce to prepare a draft scheme for a stained glass window to be the new Irish Free State’s proposed gift to the League of Nations in Geneva, he was at the peak of his career. The first he had heard of this proposal was an informal letter sent from Geneva in early June 1925 by Miss Brighid Stafford, a delegate representing the Department at the League’s Annual Conference. She ‘suggested that Clarke should advise as to the feasibility of installing stained glass in five openings of the new buildings which looked onto an interior fountain court, and to supply an estimate of the cost’.1 Her letter followed a memo sent on 4 April 1925 by the Department to Cabinet ‘seeking approval to spend not more than £300 on an official Irish gift to the new International Labour Organization in Geneva.’2 Various possible gifts were suggested, including ‘a stained glass window by one of the best known Irish stained glass artists, a carpet either Dun Emer or Donegal, a work of art in Irish marble or a picture representative of Irish life’. As Germany’s offer of stained glass had already been accepted by the ILO, it advised that stained glass should be omitted from the list but eventually, after protracted discussions about possible sites and their quality of light and prominence, Geneva revoked this and ‘requested a stained glass window’ from Ireland.3 This decision may have been influenced by the impressive (and well-reported) exhibition by Harry Clarke and his painter wife, Margaret, enthusiastically launched by President William T Cosgrave in August 1925.

The article continues here:

https://www.irishartsreview.com/articles/harry-clarkes-geneva-window/ #:~:text=Nicola%20Gordon%20Bowe%20recalls%20how,of%20the%20Irish%20Free%20State

To view the Geneva Window in more detail see:

https://www.oireachtas.ie/en/oireachtas-tv/oireachtas-tv-productions/geneva-window/

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The Old Barracks
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