National Inventory of Architectural Heritage

National Inventory of Architectural Heritage The purpose of the NIAH is to identify, record, and evaluate the post-1700 architectural heritage of They are also a research and educational resource.

The NIAH is a state initiative under the administration of the Department of Housing, Local Government and Heritage and was established on a statutory basis under the provisions of the Architectural Heritage (National Inventory) and Historic Monuments (Miscellaneous Provisions) Act 1999. The published surveys are a source of information on the selected structures for the planning authorities. It i

s hoped that the work of the NIAH will increase public awareness and appreciation of Ireland's rich architectural heritage.

Check out our December   where Conor English takes a look at the Cork Distilleries Company (CDC) Bottling Plant (1962-4)...
17/12/2021

Check out our December where Conor English takes a look at the Cork Distilleries Company (CDC) Bottling Plant (1962-4), , a twentieth-century modernist masterpiece by Frank Murphy (1916-93) 👉🏻 https://bit.ly/3GRPRy7

Check out our February 2021 Building of the Month where Colm Murray, Architecture Officer, explores the fascinating   an...
10/02/2021

Check out our February 2021 Building of the Month where Colm Murray, Architecture Officer, explores the fascinating and of the bishop's palace, , which is now the headquarters of The Heritage Council 👉🏻 tinyurl.com/10dvnqhs

"Disaster - A Guide to Prevention and Preparedness in the Historic Built Environment", the latest in the Department of H...
09/12/2020

"Disaster - A Guide to Prevention and Preparedness in the Historic Built Environment", the latest in the Department of Housing, Local Government and Heritage Advice Series publications for owners of properties, now available to download: https://tinyurl.com/yywusjmk

The "Disaster Advice" Free Online Seminar will take place on Wednesday 9th December 2020.The purpose of the seminar is t...
04/12/2020

The "Disaster Advice" Free Online Seminar will take place on Wednesday 9th December 2020.

The purpose of the seminar is to help owners of and properties, where possible, to prevent or reduce the risk of disaster by fire, flood or vandalism, and to lessen the damage caused should disaster occur. The seminar will outline how owners can produce a disaster risk management plan, or "Disaster Plan", a simple document setting out sensible measures to minimise the likelihood of an emergency and to reduce the extent of damage and loss should it occur.

The seminar will begin at 10am with an opening address by Minister Malcolm Noonan TD and the launch of "Disaster – A Guide to Prevention and Preparedness in the Historic Built Environment" which is the latest volume in the Advice Series of publications for those responsible for the care and conservation of heritage and historic properties.

The launch will be followed by a number of short presentations by Margaret Quinlan and Paul Collins, principal author and a contributor to "Disaster", and case studies by Alicia Parsons of Birr Castle Gardens and Gavan Woods of Saint Patrick's Cathedral, Dublin.

The seminar is being delivered by Department of Housing, Local Government and Heritage in association with Irish Georgian Society, the Centre for the Study of Historic Irish Houses and Estates and Ecclesiastical Insurance.

The seminar will be delivered through Zoom. Check out the full programme and register for free online here: https://tinyurl.com/yxuyyfds

A joint fund of up to €100k from Department of Housing, Local Government and Heritage and Department of Tourism, Culture...
29/11/2020

A joint fund of up to €100k from Department of Housing, Local Government and Heritage and Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media has been released to support the conservation of traditional Irish-language shopfronts and preserve built and linguistic . Details: https://bit.ly/3fE4Bo6

Details of the Built Heritage Investment Scheme 2021 and the Historic Structures Fund 2021 have been announced.  A total...
19/11/2020

Details of the Built Heritage Investment Scheme 2021 and the Historic Structures Fund 2021 have been announced. A total of €6m is being made available with €3m allocated to the Built Heritage Investment Scheme, up 20% on 2020, and €3m allocated to the Historic Structures Fund, up over 75% on 2020.

Both schemes represent a significant boost to the preservation of Ireland's unique built heritage and will support owners of protected structures in every local authority area across the country. The Built Heritage Investment Scheme and Historic Structures Fund will assist hundreds of small-scale, labour-intensive projects as well as large-scale projects to conserve, repair and safeguard our historic built environment.

The Historic Structures Fund 2021 includes two new pilot schemes. The vernacular scheme will support the conservation and repair of the traditional buildings that are a significant part of our intangible cultural heritage. Historic shopfronts have always been eligible to apply for funding under either scheme but, to incentivise such applications in 2021, each local authority will be allowed to shortlist an additional project where that project concerns the conservation and repair of a historic shopfront, its glazing or signage.

Applications for both schemes are now open. The deadline for applications is Friday 29th January 2021. More information is available here: https://tinyurl.com/y5ux8rhy

Over 350 projects were funded under the Built Heritage Investment Scheme 2020 and the Historic Structures Fund 2020. The projects ranged in scope from essential repairs of rainwater goods to large-scale repairs of roofs. Two unusual projects stand out. One funded under the Built Heritage Investment Scheme saw the conservation and repair of the eye-catching Burgh Pyramid in Maudlins Cemetery, Naas, County Kildare. Another project funded under the Historic Structures Fund saw the conservation and painting of The Metal Man in Sligo.

Fantastic Irish Fanlights Armchair Tour Day 46: Even More OffalyOur third and final stop on the Fantastic Irish Fanlight...
19/11/2020

Fantastic Irish Fanlights Armchair Tour Day 46: Even More Offaly

Our third and final stop on the Fantastic Irish Fanlights Armchair Tour of County picks up where we last left off, on the road into Edenderry, where, as we inch closer to the southern suburbs of the town, we find Drumcooly House. The highlight of this modest house is its petal fanlight which has a cobweb-rimmed hub filled with crimson glass. The slightly larger Drumcooly Park nearby has a cobweb fanlight with decoratively painted floral motifs and garlands in shades of red on almost all of the glass panes. This is highly unusual and must signify a special request on the part of the original householder.

JKL Street – originally Main Street but renamed in honour of Bishop James Warren Doyle (1786-1834) of Kildare and Leighlin – has quite a few fanlights. The chiselled limestone doorcase of 49 JKL Street has a petal with a floral-filled margin while 69 JKL Street has the simplest spoke design. 42 JKL Street, just beyond O'Connell Square, has a lovely cobweb with applied ornamental bows and florets. But we have saved the best of Edenderry until last. Almost directly opposite stands the lovely Blundell House (1813) designed by the surveyor James Brownrigg (1780/1-1817). It is given extra presence in the street by an extraordinarily designed segmental fanlight: a cobweb inside a strap-like middle band, a petal fanning out, all decorated with well-preserved applied ornaments. This dazzling spectacle sits on top of a fine Doric doorcase and original panelled door.

The imposing Monasteroris, just outside Edenderry, dates back to the early eighteenth century but its fanlight – a simple cobweb with double hub – is later and sits within a finely carved limestone doorcase. Wrought iron spokes are a visible deterrent behind the glass. Ballymoran House, midway between Edenderry and Daingean, has a well cared for Doric doorcase with a large teardrop fanlight that would not be out of place in a suburb of Dublin. It is one of the few very examples of its type in County Offaly.

Kilmurry House (1789), between Daingean and Tullamore, has an original curved switch-track timber fanlight in a fine Gibbsian doorcase. Kilduff House has not one but two fine fanlights! The pedimented tripartite doorcase on the front has a combination cobweb-petal fanlight with an unusual double middle band; three vertical iron bars, added for security, are just visible behind the glass. The sidelights are the tried and tested lozenge and oval pattern. A secondary door, just as fine as many front doors, has a Gibbsian doorcase and a delicate cobweb fanlight with a filigree middle band of leafed stalks. It also has three iron bars behind it. The doorcase may have been placed here from elsewhere as it is cheek by jowl with a garden wall and makes no concession to the level of the plinth beside it.

Having just completed a broad loop around the town, it is only right that we call into Daingean, once the plantation outpost of Philipstown, to admire a handful of its fanlights. Molesworth House, overlooking Molesworth Bridge on the Grand Canal, has a simple "V" division fanlight with wonderful surviving crown glass. A much-altered house at the top of Main Street has a wonderful cobweb fanlight with a double hub surrounded by webbing and a cobweb border, all embellished with crisp applied floral and star ornaments. Its carved Ionic doorcase is a delight too. A house further down Main Street has seen better days but, luckily, its fanlight has survived, even if most of the glass is broken. It is a slightly simpler version of its near neighbour and very much capable of being repaired and restored to its former glory.

Durrow Abbey (1837-43), a fantastical Jacobean Revival mansion midway between Tullamore and Clara, does not have a fanlight over its front door but a side door has a quirky mouthorgan whose cusped trefoil arches echo the panels of the door below.

Old photographs of Clara illustrate an array fancy fanlights. Some survive but others have been lost. The Monastery (1854) happily survives with its distinctive fretwork Gothic fanlight. Lisieux, a former presbytery in Bridge Street, has a lovely petal fanlight with a decorative hub. A house on the corner of Church Street and Chapel Lane has a fine bolection-moulded doorcase framing a margined rectangle.

Ballycumber House, south-west of Clara, has a simple curved "V" fanlight sitting on top of a lintel squashed between two very pushy pulvinated cornices: a very singular interpretation by the designer or mason! An early twentieth-century photograph of Tinamuck House, a former glebe house north of Clara, shows a simple spoked fanlight in an Ionic doorcase, which, curiously, finishes abruptly without archivolt or pediment. The nearby Woodfield House (1733) has a spoked fanlight that was probably fitted in the twentieth century. There are several old photographs of the house in Offaly Archives, most showing the present fanlight, but one photograph shows a spoked fanlight with a glazed hub. We couldn't resist showing a lovely watercolour of the doorcase and present fanlight which is also held by Offaly Archives. It is reproduced courtesy of Professor Henry Lamb.

Our final destination is just on the border with County Westmeath. Springfield House has a petal fanlight with a string of cobweb curves at the middle band holding panes of red glass. A very nice touch!

This ends our tour of County Offaly and sets us up nicely to wander the highways and byways of County Westmeath when the Fantastic Irish Fanlights Armchair Tour resumes after a short break. This gives you plenty of time to let us know which Westmeath wonders you would like us to show. Please email your photographs to [email protected]

Fantastic Irish Fanlights Armchair Tour Day 45: More OffalyThe second leg of the Fantastic Irish Fanlights Armchair Tour...
18/11/2020

Fantastic Irish Fanlights Armchair Tour Day 45: More Offaly

The second leg of the Fantastic Irish Fanlights Armchair Tour of County picks up where we last left off, the outskirts of Birr, and takes in a selection of the fanlights found in the south of the county.

The first glory is Drumbawn, Seefin, which has a wonderful series of graduated circles sitting inside a margin, an offspring of the much earlier Brendan House or Oxmantown House in Birr, holding seven circles instead of nine. Arched glazing in the doors and sidelights completes a beautiful composition. Crinkill, a former military village, is the setting for some fantastic fanlights. Williamsbrook, just north of the village, has a unique fanlight design. Two elliptical arches intersect in the centre with secondary bars swooping up to the top of the opening to form two triangular panes. It is visually striking and has never been encountered before. Beechpark, a stone's throw away, has a Classical doorcase with a simple spoked fanlight.

Corolanty, on the road to Shinrone, has a fine block-and-start doorcase hosting a cobweb fanlight with a double hub. Milltown Park, just south of Shinrone, has a simpler block-and-start doorcase with a curved switch-track fanlight that is most likely original to the mid eighteenth-century house.

Danganreagh House, almost on the border with County Tipperary, is a small house with an especially unusual fanlight: an elongated teardrop with etched acanthus and floral patterns on the glass. Teardrop designs are few and far between in County Offaly and, together with its margined sidelights, this is very fine example. Rathenny House, also near the border with County Tipperary, has a very fine elliptical cobweb fanlight whose fine ornaments are clearly picked out. The sidelights have the long-favoured repeat pattern of semi-circles holding quarries. All are housed within an elegant Doric doorcase but the removal of the render has revealed the structural brick work.

The doorcase of Myrtlegrove, near Dunkerrin, has quite a modernist flavour and features a camber-arched mouthorgan stretching over sidelights, all in excellent order. The castellated Busherstown House, not far from Moneygall in the very south of the county, has a slightly pointed switch-track fanlight in a very simple surround with no decoration whatsoever. Its gate lodge also has a simple doorcase with a perfect petal.

Swinging back northwards and our first destination is the little village of Kinnitty where we find Glen View and its unusual rectangular fanlight. Two central lenses are connected to a central quarry. So far, so usual, but here each lens and quarry is held at the top and bottom by vertical bars fronted with tiny paired fronds. Cloganmore House, a short distance west of the village, is now in use as an outbuilding. Its original doorway has a rectangular fanlight with two concave lozenges which, considering the declining social status of the house, is a remarkable survivor. Cadamstown House, north-east of Kinnitty, has a carved stone doorcase with a crisply-ornamented metal cobweb fanlight.

Winging our metaphorical way west to Banagher, near the border with County Galway, we pass Whigsborough House which has a combination cobweb-petal fanlight with a busy spoked hub and ovoid petals meeting a border of semi-circular loops.

Heading down Main Street, Banagher, in the direction of the River Shannon, the first fanlight of interest is the geometric rectangle at the Convent of La Sainte Union des Sacre Coeurs. A nearby house (1865) has a marvellous pedimented porch shading a spoked fanlight retaining may panes of handblown glass. The composition is like a dainty, miniature copy of an American Federal-era porch. Note that the middle band is made from a perforated strip. J.J. Nallen has recently been reconstructed as Banagher Town Centre but the curiously upbeat fanlight we photographed in 2004 has happily survived. Its necklace of petals looping around the hub is very unusual.

There are four interesting fanlights at the river end of Main Street. The first is a simple, but elegant petal while the second is an example of the local variation of the elliptical arch with spokes radiating from an elongated double hub. The sidelights have lovely geometric margins with little arched heads. The Royal Shannon, singled out by its distinctive bowed breakfront, has a Doric doorcase with a solid hub and spoke fanlight while a house across the street has cobweb curves at the base of its petals.

Cloghan is a small village with a good heritage of fanlights and a number are worthy of particular attention. The first, on the corner of Hill Street and Banagher Street, has a delightful cobweb with a double hub and ornamental middle band. The sidelights are a variation on the circle and quarry pattern. A nearby house has a simple spoked fanlight and margined sidelights with lots of handblown glass. The Gables, Castle Street, has two fanlights: a geometric-patterned rectangle over the shop door and one of the local patterns – an elliptical double hub and spoke – over the house door.

Strawberryhill House has been much reduced in size and its gabled façade, created when the original front was demolished, has an elongated switch-track fanlight in largely featureless doorcase. The Belmont Mills complex is found nearby and includes a miller's house with a simple hub and spoke.

Ferbane has a smattering of fanlights in its short main street. One is a good example of the local pattern: a broad spoked fanlight with a double hub. A modest single-storey house on the opposite side of the street has a good geometric rectangle. Saint Stanislaus Catholic College (1815-8), Rahan, on the road to Tullamore, was photographed many times in its heyday as a boarding school and novitiate. A photograph of the 1902 Men's Sodality Group shows the fanlight with a set of slender cobweb curves that have since been lost. It is reproduced courtesy of the Irish Jesuit Archives and Offaly Archives.

The exterior of Annaghmore House (1790), halfway between Kilcormac and Killeigh, gives no sign of the elaborate cobweb fanlight hidden inside its pilastered porch. Killeigh has a particularly interesting fanlit doorcase on the east side of Fair Green. The fanlight is a fine variation on the cobweb: a generous double hub punctured by stars and circling a floral ornament, and a string of border cobwebs looping twice between each spoke, with trails, the whole like a festoon. Like we saw at Rathenny House, this house would have been rendered to disguise the rubble masonry and utilitarian brick work.

Bloomville, off the road to Portarlington, is a lovely late eighteenth-century house whose fanlight has simple spokes with offset margin panes. Patrick Street is the best street for fanlights on the Offaly side of Portarlington. They are mainly simple spoked designs and a typical example is found at the parochial house. Moving east towards the River Barrow and there are several similar cobweb fanlights with a cobweb surrounding the hub. Inverness has a simple cobweb and circle-quarry sidelights in a fine bracketed doorcase. Blackstick Priory has lost most of the original features captured in a photograph in the Eason Collection including the impressive doorcase with cobweb fanlight and concave quarry sidelights [https://tinyurl.com/yybtwvuz]. 4 Patrick Street has an elegant petal with a double hub. The doorcase forms part of an unusual tripartite composition where the sidelights are completely separate windows. Each sidelight has a set of three lenses inside a margin: an unusual and very charming design!

We will conclude this leg of our tour of with a quick admiring glance at Bellydermot House, near Clonbullogue, where a simple doorcase houses a cobweb fanlight in a rectangle.

Fantastic Irish Fanlights Armchair Tour Day 44: County OffalyThe Fantastic Irish Fanlights Armchair Tour has now arrived...
17/11/2020

Fantastic Irish Fanlights Armchair Tour Day 44: County Offaly

The Fantastic Irish Fanlights Armchair Tour has now arrived in County . The two largest towns deserve a post of their own: Tullamore, the county town, has a few unusual treasures while Birr is a true fanlight haven.

Tullamore once had far more fanlights than it does today. Those that no longer survive are brought back to life courtesy of photographs from the Lawrence Photographic Collection and one such photograph shows the former hotel (1799-1801) on the bank of the Grand Canal [https://tinyurl.com/yy6fpc3a]. The elegant tripartite doorcase with broad spoked fanlight was lost when, having served for a time as a convent and school, the former hotel was demolished in 1974. The premises of Malachy Scally in William Street, now Columcille Street, had a rectangular fanlight over the house door with a series of circles connected to the frame, and to each other, by short spokes [https://tinyurl.com/yyt5bb4b]. This fanlight was lost when the house was demolished to make way for the new Munster and Leinster Bank (1949).

O'Connor Square had an abundance of fanlights but only one or two survive. Hibernian House (1786), in the south-eastern corner, centres on chiselled limestone block-and-start doorcase with a pleasant petal fanlight whose double hub is filled with little flowers. The nearby neo-Georgian post office (1909) has a recherché cobweb fanlight in a canopied doorcase. A house on the corner with High Street once had a petal fanlight similar to that at Hibernian House and, for good measure, a rectangle over the shop door with an unusual pair of crossed ellipses [https://tinyurl.com/y4ug3vg4]. A photograph by Robert French (1841-1917) shows seven fanlights filling the arcade of the market house on the opposite side of O'Connor Square – none survive – and a steeply pitched house in the north-eastern corner with a pedimented doorcase framing a curving switch-track.

The survival rate improves significantly as we make our way down High Street and the fluted doorcase of a house diagonally opposite O'Connor Square retains a small cobweb fanlight. 6 High Street (1786) has an unusual design with an offset cobweb border and arrow tops on each spoke. The house was refurbished 2017 and the limestone doorcase framing the nine-panel door has been revealed anew. The limestone-fronted Tullagh House (1789) has a hearty Gibbsian doorcase with a petal fanlight. The design is similar to Hibernian House but with a larger double hub filled with a set of tiny petals. 22 High Street has seen better days but happily retains a very pretty combination cobweb-petal fanlight with a tiny border detail of kissing curlicues.

Moore Hall is undoubtedly the architectural highlight of O'Moore Street. The polygonal projection at its centre is a fantastical Jacobean Mannerist confection in limestone with a pillared doorcase supporting a wide elliptical fanlight. The design has a double middle band and an offset cobweb border, all sprinkled with applied ornament, but it has unfortunately been reglazed with coloured glass just as the sashes above and around it have been replaced with plastic fittings. Nevertheless, these jarring notes aside, Moore Hall remains an architectural tour-de-force. Ivy House (1838), Victoria Terrace, has a handsome cobweb fanlight. Its broad hub is supported by two splayed curves like springs under an old-fashioned carriage.

We leave Tullamore via Cormac Street which has quite a few restrained spoke fanlights. 4 Cormac Street has a crisply-detailed cobweb fanlight worthy of attention. Of particular interest are the fine Doric-columned doorcases beside the County Courthouse which have a matching pair of coronet fanlights.

Next to Birr and its fantastic fanlight heritage dating from the early nineteenth century. We have already touched on some noteworthy fanlights in and around the town including that at Tullynisk (1823), variously attributed to Sir Richard Morrison (1767-1849) or Bernard Mullins (d. 1851), and erected as the dower house to the Birr Castle estate. This spectacular series of circles in doors, fanlight and sidelights is magnificent and is of at least national importance. Everything else pales in comparison.

Many of the fanlights in Birr are simple spoked designs in tripartite doorcases. The elegant townhouses of Oxmantown Mall and John's Place have slight variations on elliptical fanlights with a mix of six and eight spokes, glazed and solid hubs, supported by slender timber columns in concave recesses. 12 Oxmantown Mall and 3 John's Place (1833) have solid hubs but their respective neighbours, 13 Oxmantown Mall and 4 John's Place, have similar fanlights with glazed hubs! There are lots of repeated sidelight designs, too, including busy margin patterns almost like tartan. Two elegant outsiders, 7 and 8 Oxmantown Mall (1818), have combination cobweb-petal designs in Doric doorcases. Four spokes spring from a hub with a series of lace loops, next is a set of cobweb curves, finally a border of intertwined curves and loops. A very refined design!

Saint Brendan's Church (1810-6), closing Oxmantown Mall at its east end, has no fewer than three carved timber fanlights with central circles clasped by elongated trefoil leaves: the circle over the door to the tower is plain while those on either side have quatrefoils. An adjacent house, variously known as Brendan House or Oxmantown House, stands out for its narrow elliptical fanlight with marshalled series of graduated circles – very elegant and sedate. The circle and lozenge sidelights are wider than usual and make for a truly beautiful composition.

There are many spoked fanlights in Emmet Street but our tour will focus on a few unusual designs on its east side. The first are found in a pair of houses opposite Saint Brendan's Church where two matching teardrop fanlights have just two tears on either side of a central circle. A nearby house looked very much worse for wear when it was recorded by the National Inventory of Architectural Heritage in 2004 but is thankfully in better condition today. Every second spoke in its petal fanlight springs from the solid hub while the alternating spokes spring from a band around the hub. A house almost directly across the street from the Wesleyan Methodist Chapel has a lantern fanlight. It is very seldom that one sees a lantern in a modest house and this one is very nicely detailed: a hub and spoke behind a three-sided lantern with slightly Gothic ornaments around the base and a top ring of circles with anthemions on the corners.

We now make our way back to John's Place which has not changed much since it was photographed by Robert French (1841-1917). Several solid-hubbed fanlights are visible in a typical streetscape [https://tinyurl.com/y39xes5d] including that at 6 John's Place (1835). 10 John's Place (1839) is a miniature masterpiece with a wonderfully elaborate, upside-down teardrop in which the tears are transformed into leaves cushioning the central circle. Two houses on the opposite side of the green both vary the local detail: 16 John's Place has a double set of cobweb loops on the usual eight-spoke structure while its near neighbour has ten spokes radiating from a tiny hub and a border of cobwebs.

The commercial streets in Birr feature simpler doorcases and fanlights. Nolan's in Connaught Street has two fanlights: a hub and spoke over the house door and a margined light over the shop door. One neighbour has an identical fanlight over the house door while another neighbour has the same margined light over the shop door. P.L. Dolan & Sons, Main Street, has a long eight-pane mouthorgan over each of the garage doors but these are not as old as the mouthorgans over the lovely original panelled doors of the house and shop.

Saint Brendan's Catholic Church (1817-24), in the south-eastern corner of the town, has a similar arrangement of doors to its Church of Ireland namesake but this time all three circles have carved timber quatrefoils and tiny trefoil leaves in the bottom corners. Saint Brendan's Presentation Brothers' School (1876-8), Moorpark Street, originally had a simple mouthorgan but the door and fanlight were lost when the central breakfront was reworked. The nearby monastery still retains its tripartite doorcase with a six-spoked fanlight typical of Birr. The margined sidelights are more unusual and are topped with little arches: the eagle-eyed will notice that we already saw similar sidelights at 6 John's Place.

Elm Grove, Newbridge Street, is host to the final Birr-style doorcase we will see on this tour. This time there are two curves inside the elongated hub and paired arch heads and rectangular footers in the sidelights. Our photograph also shows the six-spoke fan lighting the staircase hall.

We cannot leave Birr without referring to Birr Castle. This imposing neo-Gothic mansion does not have a fanlight over its front door but a side door features a pointed-arch switch-track. This appears to be the only example of its type in the town.

Fantastic Irish Fanlights Armchair Tour Day 43: Much More MeathKells has one of the best selections of fanlights in  .  ...
08/10/2020

Fantastic Irish Fanlights Armchair Tour Day 43: Much More Meath

Kells has one of the best selections of fanlights in . Our photographs have been augmented by some lovely photographs sent to us by Miriam Manning of Kells Local Heroes and Liam McCorkell of Glasshaus Studio. Many thanks to both for making what always promised to be a good tour of the town even better!

Westfield Cottage, on the approach road into Kells from the south, has a cobweb fanlight that is hard to spot behind the greenery cloaking the front wall. The fanlight dates to the early nineteenth century when the house went by the name "Kells Cottage". Entering the town centre, and arriving at the street named after the seventeenth-century market cross, a house on the east side is set apart by the doorcase raised high above the footpath. A lovely cobweb fanlight has two rows of webbing although the moulded arch around it seems to be a later addition.

Lisieux in Market Street is very deceptive: the late nineteenth-century two-tone brick façade and spoked fanlight mask a much earlier building. 7 Market Street centres on pedimented Doric doorcase with an original panelled door and slightly later cobweb fanlight. The doorcase, but not the fanlight, is visible in a photograph by Robert French (1841-1917) which also shows a pair of long-lost cobweb fanlights in the neighbouring Royal Meath Hotel [https://tinyurl.com/yyyk9pgx]. There are some interesting fanlights on the opposite side of Market Street. The first is found in the pillared doorcase of an eighteenth-century house and has a cobweb middle band and a very unusual border of paired petal curves joined by a clasp of two tight curls. Two houses facing down Church Street could be as much as a century younger and have matching shallow-arched teardrop fanlights adding to the treasures in Market Street. Each fanlight has four tears on either side of a central circle. Small and perfectly formed! Completing this run are the pair of Gibbsian doorcases at 1-2 Church Lane which have simple spokes emanating from a solid hub. Sadly, these last four houses have all lost their original panelled doors.

This fanfare of fanlights faces the entrance to Saint Columba's Church (1778-9) which is said to have been designed by Thomas Cooley (1742?-84). Its doorway is graced by a generously proportioned Gothic-arched switch-track fanlight. There is a blind arch overhead but a photograph in the Lawrence Collection shows us that it too was originally glazed as a switch-track in a unique example of two such windows placed one above the other [https://tinyurl.com/y3ygmc7b]. Crossing back to Kenlis Place and a pair of doorcases feature petal fanlights: Miriam's photograph shows one that has been reglazed in modern float glass. A house next door has a simple spoked fanlight but its twin, derelict when it was recorded in 2002, is now gone and its empty site is used as a carpark.

A duo of eighteenth-century houses in John Street boast matching petal fanlights over Ionic doorcases. Miriam's photograph shows one basking in sunlight. Both fanlights were repaired by Glasshaus Studio and Liam's photograph shows the second warmly lit from behind. There are more fanlight pleasures in Headfort Place and two houses with lugged doorcases and open bed pediments have matching cobweb fanlights. Our second last stop in Kells is one of the finest buildings in the town. The former courthouse, designed in 1802 by Francis Johnston (1760-1829), is a limestone ashlar-faced temple with the central doorway set in an arcade, the geometric spoked pattern of the fanlight repeated in the glazing of the windows on either side. Miriam's photographs show not only this doorway glowing in sunshine but also the back door with its identical fanlight.

Our last fanlights in Kells are found at the magnificent Headfort House (1769-71). This tour has mentioned several times that the largest country houses rarely have fanlit doors and Headfort is no exception. But many of them have fanlights lighting interiors or ancillary outbuildings and Miriam has kindly sent us a photograph of a spoked fanlight lighting a corridor. There are also fanlights in the wings and courtyard.

The last town we will tour in County Meath is Oldcastle where most of the fanlights are variations on the petal family. A house on the corner of Oliver Plunkett Street and The Square has two fanlit doors including one forming the centre of a shopfront. Both are variations on the theme of the squashed petal but differ in their proportions. The Garda Síochána Station (1882) on the corner of The Square and Church Street has a simple spoked fanlight with a band around a solid hub over both of its doors. The neo-Palladian Gilson Endowed School (1823-6), Church Street, has simple radial fanlights on either side of the central block and small petal fanlights that has seen better days.

A thatched farmhouse at Meath Hill, close to the border with County Cavan, has a characteristic windbreak with a five-pane mouthorgan. This is one of the very few examples of a fanlight in a vernacular building.

Two interesting fanlights are found in one small area south of Oldcastle. Upper Crossdrum House (1825) has an expansive petal fanlight and narrow sidelights in a handsome pilastered doorcase. The petal has a lovely crisp set of applied ornaments making an interesting boarder while the sidelights are the well-known oval-and-lozenge pattern. The nearby Crossdrum House (1817), now sadly derelict, has a fine pillared doorcase with the remains of a pretty cobweb fanlight and internal wrought iron grille.

Ross House, on the shore of Lough Sheelin in the far north of the county, has a wide elliptical cobweb setting within an impressive Ionic portico. Much further south, near Clonmellon, the ornate front of Drewstown House hosts a pleasant petal fanlight within a fine Ionic doorcase. A courtyard of outbuildings and stables features a mixture of spoked fanlights and gridded lights.

This brings us to the end of our three-day leisurely wander around . Undoubtedly, we have missed some good fanlights so, as usual, we ask you to send in your photographs and tell us the stories behind them. Email us at [email protected] and we will be happy to feature your photographs the next time we take a look at our "fanmail"

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Custom House, Custom House Quay
Dublin
D01W6X0

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Monday 9am - 5:45pm
Tuesday 9am - 5:45pm
Wednesday 9am - 5:45pm
Thursday 9am - 5:45pm
Friday 9am - 5:45pm

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