Aslan Hollier

Aslan Hollier Actor/ Screenwriter/ Chef/ Producer/ Art Comissioner. I'm all about the arts, entertaining, educating, helping, connecting, inspiring and, above all, creating.

First offical day as an Art Commissioner!We discussed numerous things: An art project with a citizen focus rather than a...
12/18/2025

First offical day as an Art Commissioner!

We discussed numerous things: An art project with a citizen focus rather than a tourism focus, approved art placements for traffic boxes, a step mural coming to the Price Center, and discussion of a Performing Arts Center!

Next month's meeting will be the day before my 40th birthday, and an eco-art project is on the agenda for discussion.

I think I found my place at the right time.

I’m officially joining the San Marcos Arts Commission!I applied last year, forgot about it, and suddenly got the email. ...
12/07/2025

I’m officially joining the San Marcos Arts Commission!

I applied last year, forgot about it, and suddenly got the email. But honestly? I'm ready.

San Marcos deserves an arts landscape that’s innovative, inclusive, sustainable, and reflective of the community we actually are, not just what looks good on paper.

I intend to bring energy, creativity, and a people-first perspective to decisions about public art, HOT funds, and cultural development.

I’m especially excited to champion projects that highlight environmental responsibility, local storytelling, diverse identities, and opportunities for working artists to thrive.

If you're an artist, organizer, nonprofit leader, or someone with a vision for the arts in this city, my door is open.

The San Marcos Arts Commission helps make San Marcos a colorful and quirky place to live, visit and create in. Their role in the community is to support and contribute to the local art scene, diverse cultural heritage and economic prosperity of San Marcos. The San Marcos Arts Commission programs inc...

12/02/2025

Ba-Batbear and the Christmas PJs.

Ba-Batbear saves Christmas in his household from the Grinch with a little help from his new sidekick.

This could be considered voice acting, right? 😅

Note: I did this all alone at 11pm last night.

Happy Thanksgiving!Here's a trailer to my short film, Thank You, I did 13 years ago. I'm still very thankful for everyon...
11/27/2025

Happy Thanksgiving!

Here's a trailer to my short film, Thank You, I did 13 years ago. I'm still very thankful for everyone who helped put it together. I would still love to get a 3rd short of mine done, but I have a hard time deciding what I would want to do.

Stay thankful! I do still believe and dream of a society where money isn't an issue. We live and thrive off the gratitude of helping others and providing trades (IOU) as payment, and sticking to it. We all just want a little help in hard times.

The third trailer for the film. It's almost like the film is reduced to one minute.

11/05/2025

I submitted my pilot 'Forked' to Austin Film Festival. I did not make it, but the feedback I just received was really good. I don't think there needs to be much changes to have a better chance next time. I'll revise and submit to next year when it opens on Dec 8.

Feedback summary:

The feedback on Forked praises its strong, diverse dialogue and fun, distinctive characters, along with its authentic portrayal of the catering industry.

However, the reviewer notes that Xander, the protagonist, fades into the background as supporting characters take the spotlight. They recommend strengthening his arc and emotional presence throughout the pilot, clarifying structure and pacing—especially around the fantasy sequences that interrupt flow—and tightening scene headings and descriptions for readability.

Suggestions include expanding character details, showing Xander’s inner struggles more clearly, and possibly deepening his bond with Kate through shared interests.

Overall, the concept is engaging with strong series potential, needing mainly structural polish and deeper character focus to elevate it.

10/27/2025

Echoes in the Eye

The spoon in my cup gave a trembling chime,
The coffee smelled burnt, the air felt like time.
Across from my seat in the cinnamon air,
A man sat so still, as if always there.

“You asked for my story,” I whispered, unsure,
“About all the echoes, the lives that recur.”
He nodded; his eyes held galaxies deep.
“Begin at the start. The parts that you keep.”

At eight I first saw them, the ripples, the haze,
the mirage of faces that twisted my gaze.
Mother said “echoes,” dismissing my fright,
But I knew the shimmer was wrong and too bright.

By twenty, I learned: we were lines in a play.
Scripted and looped, revised every day.
The Players, unseen, walked among our disguise. We were their experiments. Lives in reprise.

Then came the breach, the flicker, the tear.
When time itself paused and hung in the air.
A child froze mid-step, a car hung mid-spin.
Two figures debating which ending to pin.

“Let her live!” I cried out, and they turned in surprise. As if hearing a thought from their own device. And from that small rupture the world came apart. The sleepers awakened. The code grew a heart.

Luke saw his brother in stations of steam.
Alive in a life he recalled from a dream.
Maya recalled children she never had borne.
A thousand old lives like veils newly torn.

The Players grew frightened, their code running wild. Their echoes were thinking, the program defiled. For each “what if” test that they sought to explore, became a new world, and then millions more.

Now real and unreal walk under one dome,
Each asking the other, “Which of us is home?”
Some choose their delusion, some flee from the pain. Some pray to their coders to start them again.

And I dream of an eye, vast, unblinking and wide. With worlds like small motes that drift in its side. An echo of echoes, reflections in flight.
Each speck a creation of someone’s lost light.

“You don’t even know me,” I said with a sigh.
He smiled like a mirror that learns how to lie.
“I’m you,” he confessed, “from a world turned to flame. You were meant to awaken, to finish the game.”

Then brightness devoured both silence and scene, and I woke in a place too bright, too clean.

A woman bent over, a needle in hand, “You’ll rest now,” she whispered. “You’ll soon understand.”

And somewhere beyond where the dreamers reside, The Eye slowly blinked, and the world reset inside.

08/09/2025

Thinking about starting something new.

Imagine: you can’t make it to an important thing, but someone professional goes for you… and you still get all the details.

Does this sound useful… or not really?

Saying Goodbye to Coverfly 💔Well… this hurts.I’m gonna miss this profile. The layout, the portfolio tracker, the contest...
08/04/2025

Saying Goodbye to Coverfly 💔

Well… this hurts.

I’m gonna miss this profile. The layout, the portfolio tracker, the contest badges, the Red List milestones—it made me feel like my screenwriting journey was building toward something. Seeing everything in one place was motivating.

Now that Coverfly officially shut down on August 1st, it leaves a big gap. For those wondering what to do next, here are a few solid next steps:

✅ Download everything — Scripts, placements, scores, Red List history, coverage… archive it all while you still can.

📤 Stage 32 is becoming the go-to replacement. You can import your Coverfly data, and they’ve hired some of the old team to rebuild something better. Contest hub and writer tools are already in motion.

🌎 ISA is also great—especially if you want ongoing promotion, education, or access to their Development Slate. I used to co-host a meetup with them in Austin.

📁 And of course, FilmFreeway is still your best bet for contest entries with a decent dashboard.

🚀 Pro tip: Host your stuff too. A Google Drive, website, or linktree with your work ensures you're not starting from scratch if another site vanishes.

What about you?

Which platform are you moving to now—and what do you love about it? Drop links, tips, rants, and screenshots below 👇

There's a script I've been working on since my screenwriting college class. I chose the story based of few words written...
07/23/2025

There's a script I've been working on since my screenwriting college class. I chose the story based of few words written down and passed around. The line I chose was "a girl finds evil fairies in a forest."

We then came up with a treatment, and a pitch. We presented our pitch to the class where we were to think like executives. There was one winner of the pitches and that was me.

Since then I have made changes. Act 1 of the script is written.

It was my idea of how I thought Pan's Labrinth should have been.

What do you think of the poster ideas? Which is better?

Logline: When an imaginative girl moves with her memory suppressed mother to a cabin in the woods, she discovers a secret legacy connecting her to a hidden world of fairies—beautiful, cruel, and ancient. She must cross a portal and battle for power, her bloodline, and corruption that may cost her everything.

06/02/2025

From a friend. This is concerning in what I'm doing:

A little insight into my world. The issues I work on rarely make the big headlines. But that doesn't mean they aren't important or that the circumstances don't deserve scrutiny from the populous, regardless of political affiliations.

If you missed it, the Librarian of Congress (Carla Hayden, appointed by Obama in Sep. 2016) was fired on May 8. That weekend, the Register of Copyrights (Shira Perlmutter, appointed by Hayden during the T1 administration in October 2020) was also fired. Although there is speculation the latter was fired over an AI report, it appears both were actually fired because of their political party leanings. The same personal leanings they had when they served throughout the first Trump administration and fulfilled their roles as professionals irrespective of them.

The U.S. Copyright Office is housed within the Library of Congress. Although the office is technically an executive agency, the Register is not appointed in a similar manner as other agency heads. That position is determined and overseen by the Librarian of Congress. Even though the Library is under the control of Congress, selection of the Librarian has traditionally followed the appointments process. Therefore, the Librarian is subject to the President, and the President can order the Librarian to hire or fire the Register. (Keep in mind, Hayden was fired before Perlmutter, and Perlmutter's firing came directly from the White House.)

Despite an announcement that DOGE officials would take over the Copyright Office, DOJ's Associate Deputy Attorney General showed up the Monday after the firings. This man, who has never worked on intellectual property issues, was named acting director of the Copyright Office because he is loyal to Trump. He came in one day, and it appears he hasn't returned to the Copyright Office since. There is a dispute within the government as to the legality of Perlmutter's firing and the DOJ appointment, since the Register isn't a Presidential appointee. She filed a lawsuit contesting the filing. At this point in time, the position of Register or Acting Register is contested and undetermined. (

06/01/2025

I had an audition to submit to, and I let Atlas do this. 😂

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Austin, TX
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