Holton’s Hollowed Queen

Holton’s Hollowed Queen Holton’s Hollowed Queen, the Wisconsin Widow, she’s been left bare~stripped to her bones.

Isabelle is going to the Gala. 👑We're donating an evening at Holton's Hollowed Queen to this year's Holton Community Hos...
08/27/2026

Isabelle is going to the Gala. 👑

We're donating an evening at Holton's Hollowed Queen to this year's Holton Community Hospital Foundation Silent Auction.

We'll show you why we fell in love with her. You'll walk her rooms with us, see what the walls gave back after a century of holding onto them, and hear her stories: the 1913 fire, the drawings for what comes next, and everything we've learned along the way. Champagne sabered. A charcuterie board and hors d'oeuvres worth lingering over. No hard hats required, though we make no promises about the dust.

Some things are worth saving.

And the money goes exactly where it should. This year's Gala funds two LIFEPAK defibrillators and a new laboratory microscope for Holton Community Hospital—equipment that keeps good care close to home, which is the whole point of a town like ours.

Bid generously. We'll have the champagne cold. ❤️

October 3, 2026 at 5:00 PM - 9:00 PM. Here’s the link with more information.

https://www.zeffy.com/en-US/ticketing/welcome-to-the-fabulous-hch-foundation-gala--2026

Isabelle has a new opening waiting for a pair of French doors—48 inches wide, 80 inches tall, heading out to the porch.I...
08/19/2026

Isabelle has a new opening waiting for a pair of French doors—48 inches wide, 80 inches tall, heading out to the porch.

If you’ve got a pair like that sitting around, or know somebody who does, we want to hear about it. Good bones are a must, but we can work with rough condition otherwise, original glass and hardware are a bonus if they’ve survived.

More pictures to follow.

08/19/2026

She can breathe again.

For years, Isabelle carried a six-foot hole in her roof and leaks nobody chased down. The water had nowhere to go. And she’d lost the ability to manage moisture the way she was built to years before that. Because the water had nowhere to go, her foundation heaved up in the middle. Once we closed the roof and opened her sealed cellar windows, the ground around her could finally dry out, and she started settling back into place.

Through all of it, her windows never went out of square. Let that sink in. 143 years old, half-drowned, still square.

Here's what nobody tells you about houses like this: in 1883, "dry basement" wasn't a thing. No poured concrete, no v***r barriers, no sump pumps. These houses were built to breathe—permeable walls, dirt floors, cellar windows for airflow. A damp cellar wasn't a flaw. It was a root cellar doing its job.

So when someone later sealed her cellar windows and packed her stone foundation in Portland cement, they didn't dry her out. They shut down the only systems she had for managing moisture. Cement doesn't breathe, so the moisture that used to ev***rate safely through the joints gets forced into the stone instead. Every winter, that trapped water freezes inside the limestone and expands. The ice pushes outward against the stone from the inside, and a piece of the face cracks off. It's called spalling, and it happens one freeze-thaw cycle at a time—the same cycle, every winter, for as long as the cement stays on.

Each cycle only takes a small piece. But it repeats, year after year, and the losses compound. The stones get thinner and weaker at exactly the point where they're carrying the weight of the house above them. Left long enough, it stops being a cosmetic problem and becomes a structural one, the difference between repointing a foundation and rebuilding it. That's the window we're in right now, while it's still the former.

A huge thank-you to Walker Jenson—a Holton High School gentleman and friend of Cody’s —who spent part of his summer helping us chisel every inch of that cement off Isabelle’s 1883 foundation by hand. It was hot, slow, unglamorous work, and he showed up for it. We’re so grateful for his help getting her stone back to bare limestone.

The stretch behind the new porch is repointed now, in lime mortar this time, the way she was actually built. That's one section done. The rest of her foundation, all the way around, still needs it.

And while we were back there, we found something we weren't expecting: a cellar window on the south side, bricked over and buried under more of that same cement. Nobody knew it was there. More on that soon.

08/18/2026

Same words we put on the lumber go on the house.

We didn’t throw the good boards away because the porch they came off of was wrong. And nobody should have thrown Isabelle away because the last hundred years were hard on her. Worth saving is worth saving.

08/17/2026

Nothing wasted. The porch we tore off wasn’t Isabelle’s—it was a plain 1920s replacement. That one’s gone, but its lumber isn’t. Marshall’s working as much of it as he can into the Victorian porch going up in its place. 🔨

Isabelle has been white for more than twenty years. She wasn't always—and she isn't going to be much longer.Under that w...
08/17/2026

Isabelle has been white for more than twenty years. She wasn't always—and she isn't going to be much longer.

Under that white is a house that wore green. Shades of it, not one. Burgundy and cream trim, pink in her fishscale shingles, and a dark line drawn around her windows—kohl eyeliner, essentially. The pink is the part that surprises people.

Here's the news: she's getting painted. Siding and primer before the weather turns, if we can manage it. Trim comes later—the fishscale, the eyeliner, all the jewelry—that's next year's argument. Right now we need one thing settled, and that's the color of her dress.

Which brings us to the pictures below. David Johnson, who follows this page, stopped by today with a camera and a Sherwin-Williams deck. He's a painter by trade—the kind who has scaffolded a house this size and lived to tell about it—and he ran his photographs through AI to show her in a few different colors. He did it on his own time, for a house that isn't his, and asked for nothing.

A warning about the images: the AI got creative. 🥹 It gave her porches she doesn't have, a bay window that never existed, and a gable or two we'd have noticed by now. It also put no pink anywhere, which tells you what a computer thinks a Victorian looks like. Judge the color and ignore the carpentry.

So—body color. Not a whole scheme, just the field. Leave a Sherwin-Williams name and number in the comments and David has offered to mock up what the community wants to see. Greens especially. We are trying to get back to something she'd recognize.

We won't be painting by committee. ❤️The last call is ours, and we'll live with it a long time. But we'll be painting with an audience, and we'd like to hear from it before the primer goes on. The weather sets the deadline, not us.

Twenty years of white is a long time to hold your tongue.

And one more thing, the important one: tell David thank you. ❤️💕 Loudly. People who give their skill away to somebody else's old house are the reason any of these places survive, and he ought to hear it from all of you.

08/15/2026

Marshall's got a porch update—it's coming along. But before it goes any further, the satanic cement has to come out.

That's his name for it, and it's earned. Somebody once went over Isabelle's limestone foundation and repointed it in Portland cement. Repointing is the term of art: you rake the old mortar out of the joints between the stones and pack new mortar in. It's routine maintenance on a building like this, and it's the right thing to do—as long as you put back the right stuff.

They didn't. Portland cement is harder than limestone and it doesn't breathe. These old foundations were never meant to be sealed. The cellar floor is still dirt, the mortar was soft lime, and the whole assembly was built to let moisture move through the wall and out again. Portland stops it cold. The water still gets in — it always does—and now it has nowhere to leave but through the face of the stone. It freezes there, and it takes the face with it. The stone spalls, the stone cracks, and the cement sits there in perfect condition.

They weren't being careless. Portland was the modern product, it was stronger, and stronger sounded like better.

So it comes out, joint by joint, and goes back in lime—mortar that lets the water out again.

08/15/2026

No dig. No pour. No wait.

Block go down. Pins go in. Porch go on top.

Marshall like. 🦴

08/13/2026

Marshall kept tripping over the same bricks. Then he called me.

Under the old porch, set on edge in a deliberate line, was a course of brick. Not paving. Not foundation. Bricks stood up on their narrow side in a curve—which is exactly how you edged a flower bed in 1910.

And here's what dates it: it was *under the porch*. That porch went on in the twenties. Nobody plants a flower bed and then roofs it over. So the bed was dug, edged, and blooming before the porch existed—and then someone laid decking across the top of it, and it sat in the dark for a hundred years.

We know whose it was.

**The Holton Signal, April 21, 1910:** *Mrs. Annie Purvis had brick walks laid last week on her property on 425 Wisconsin avenue.*

One line in the local column. There are still remnants of those walks here—we walk on them.

And now we've found where the brick went that didn't go into a walk.

So picture it. A widow has her walks laid, and somewhere in that same spring she stands out front with what's left over and sets a curve of brick on edge around a bed, because a house ought to have something growing at the foot of it.

The brick outlasted the flowers. It outlasted her. It outlasted the porch that buried it, and every single person who knew what it was. Until a man restoring the house in 2026 stubbed his boot on it enough times to stop and look down.

We're going to plant it again.

Ex Flammis Clarior~ from the flames brighter.

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1883 Isabelle, Holton’s Hollowed Queen
Holton, KS
66436

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