06/12/2026
We remember multidisciplinary artist David Hockney, who embraced emerging technologies throughout his seven-decade career. From Polaroid cameras and office photocopiers to computer programs and iPads, Hockney explored new mediums to share his bold and colorful artworks.
Born in England, Hockney moved to Los Angeles in 1964. Some of his most famous works were inspired by the backyard swimming pools he saw upon his arrival. To Hockney, pools represented a world of leisure and a private space for gay men to enjoy domestic life. He was particularly interested in the technical challenges of painting water, experimenting with ways to harness light, color, and movement.
Always evolving, Hockney explored painting, photography, drawing, and even stage design.
In 1984, the artist sat down for an oral history interview with our , where he considered how future generations might define art.
“You have, in a museum, a few photographs on display. Outside in the city, there’s millions of photographs taken daily....A future generation would look at the time quite differently and realize that some of the things we thought weren’t art were art and so on. I mean, that’s the failure in our age, where it’s self-conscious. We think that is art and that is not art. But it’s not quite as easy to define as that.”
Hockney’s work is well represented across the Smithsonian, including in the collections of our , , , and .
📷 :
Andre Emmerich. David Hockney, 1982 April. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Screenshot from video oral history interview with David Hockney, 1984 September 3. Archives of American Art, Smithsonian Institution.
David Hockney, “Snails Space with Vari-Lites, ‘Painting as Performance,’” 1995-1996, oil on two canvases, acrylic on canvas-covered masonite, wood dowels, overall: 84 x 260 x 135 in. (213.4x 660.4 x 342.9 cm), Smithsonian American Art Museum