Patterson Library Octagon Gallery

Patterson Library Octagon Gallery Regional Art Gallery within a historical public library. Modeled after the Erechtheum in Athens. 105 ft.

of exhibition space with 7 12 x 14 tall plywood walls. 38 black floating track lighting system. Pedestals and locked cabinets available for sculptural or delicate works.

03/25/2026

To inspire young readers and art lovers, our children’s librarians and the Octagon Gallery curator have placed a vintage library bookshelf just outside the exhibit. It’s filled with the very fairy tales that inspired Lark Milius’s Once Upon a Paper Cut. By connecting these whimsical paper-cut works with the stories we know and love, visitors can experience the gallery through a whole new lens.

03/25/2026

"Once Upon a Paper Cut" with Lark Milius this Friday from 5-7pm!

This Friday, from 5-7pm we have the pleasure of presenting "Once Upon A Paper Cut" by Lark Milius of Fayetteville, NC "F...
03/25/2026

This Friday, from 5-7pm we have the pleasure of presenting "Once Upon A Paper Cut" by Lark Milius of Fayetteville, NC


"Fairy tales have long resonated with me and remain a lasting passion. They have shaped who I am, and in turn, I use my craft to reimagine and render them through scissors and paper.

My artistic process begins by exploring key narrative moments or emotions within a tale. Once the composition is finalized, I then carefully select from my collection of papers, choosing those best suited to the piece. Each shape is meticulously cut and layered to create depth and dimension.

Through this work, I aim to capture the timeless nature of these tales, inviting viewers to experience a sense of enchantment and wonder."

Join us this Friday, from 5pm-7pm in the Patterson Library Octagon Gallery with artist Heather Olson-'From Howls to Horn...
01/30/2026

Join us this Friday, from 5pm-7pm in the Patterson Library Octagon Gallery with artist Heather Olson-'From Howls to Horns: Our Shared Horizon’ paintings and sculptures.'

"My work focuses on showing select species of wildlife that have been sidelined, diminished, and even erased by humans; It also features species which display great fortitude and perseverance alongside the corrective measures of human intervention and science-based studies (an example:‘High Hand’-and the return/reintroduction of Elk in Pennsylvania). At its core, this painting series illustrates that all species should have equal
rights to coexist in our shared world. Some works explore stories of
conflict, courage, and comeback (an example: ‘Dig Two Graves’-the Red Fox) while others convey my own ancestor’s role in the erasure of the Passenger Pigeon of northwestern Pennsylvania (‘A Part of Me Stole TheirSouls’). The work asks us to rethink the way that we observe, treat, and govern animals; It asks us to explore the complex systems of preference, value,and management practices—all put into place by humans and directed at these sentient, sacred beings simply trying to make a living. The work also acts as a mirror-suggesting that with corrective measures, respectful laws
and governance, and a greater sense of empathy, our own journey towards future intergenerational sustainability could be within our reach."

"In wildness is the salvation of the world” -Henry David Thoreau
[email protected] (Instagram)

‘From Howls to Horns: Our Shared Horizon’ paintings and sculptures by exhibiting artist Heather Olson on view until Frid...
01/29/2026

‘From Howls to Horns: Our Shared Horizon’ paintings and sculptures by exhibiting artist Heather Olson on view until Friday, February 13, 2026.

"My work focuses on showing select species of wildlife that have been sidelined, diminished, and even erased by humans; It also features species which display great fortitude and perseverance alongside the corrective measures of human intervention and science-based studies (an example: ‘High Hand’-and the return/reintroduction of Elk in Pennsylvania). At its core, this painting series illustrates that all species should have equal rights to coexist in our shared world. Some works explore stories of conflict, courage, and comeback (an example: ‘Dig Two Graves’-the Red Fox) while others convey my own ancestor’s role in the erasure of the Passenger Pigeon of northwestern Pennsylvania (‘A Part of Me Stole Their Souls’). The work asks us to rethink the way that we observe, treat, and govern animals; It asks us to explore the complex systems of preference, value, and management practices—all put into place by humans and directed at these sentient, sacred beings simply trying to make a living. The work also acts as a mirror-suggesting that with corrective measures, respectful laws
and governance, and a greater sense of empathy, our own journey towards future intergenerational sustainability could be within our reach. "
"In wildness is the salvation of the world” -Henry David Thoreau

01/29/2026
This is the last week to enjoy the NSAA Members Exhibition featuring 42 member artists with 102 works filling the galler...
01/06/2026

This is the last week to enjoy the NSAA Members Exhibition featuring 42 member artists with 102 works filling the gallery. All participants will be picking up their works on Saturday, January 10 from 10am-2pm or Monday, January 12 from 10am-6pm.

Address

40 S Portage Street
Westfield, NY
14787

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 12pm - 4pm

Telephone

(716) 326-2154

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Octagon Gallery

The Octagon Gallery was formed in 1972 as a regional gallery space. This octagonal exhibition space is 105 ft. with 7 12 x 14 tall plywood walls. 38 black floating track lighting system. Pedestals and locked cabinets available for sculptural or delicate works. Curator, Nancy Nixon Ensign installs regional and national artists each month.

The Patterson Library was modeled after the Erechtheum in Athens, the building was designed in a style known as Academic Revival or Beaux-Arts Classicism of gray brick and white marble with a cut stone foundation and basement, the library was built on a radial plan, exactly symmetrical. The entrance is recessed behind four columns with Ionic capitals. The windows are topped with pediments and flanked with pilasters also with Ionic capitals.

Eight massive Corinthian columns with cornice and entablature support the beautiful interior central dome. The plaster decoration of the ceilings and walls in the rotunda and reading rooms are of plaster of Paris. The library's main desk is located in the rotunda with octagonal reading rooms beyond. The original balcony floor was of glass. The interior is enhanced by beautiful green-brown oak and marble. Fireplaces graced the reading room and children's room. Stained glass skylights in the rotunda and the reading rooms added distinction to the ceiling. Chandeliers of bronze and iridescent favrile glass made in the Tiffany studio in New York enhanced the beauty of the design. The furniture and equipment came from the Library Bureau of New York and were custom designed for the new building.

The curved surface of the rear of the building has a pattern of windows and pilasters with a continuation of the white bands of stone against the light brick. A colonnade of stone pillars supported by field boulders with cut stone coping encircles the building forming a pergola with a grassy terrace and a trellis for vines. Throughout the years, the library building has been superbly maintained and its beauty preserved. Visitors still delight in the splendor of the library’s rotunda with its magnificent columns. The wood is as stunning as it was on dedication day. Interior painting using a custom color design has further enhanced the building’s fine features. A major capital campaign with a goal of $450,000 begun in 1993 culminated in a building project in 1994 to provide access for all in compliance with the Americans With Disabilities Act. Included in the annex are automatic doors, a wheelchair lift, and new restroom facilities. An elevator was installed in the old stairwell of the existing building. In 1996, staff offices were moved to their original location in the south alcove to restore shelving in the rotunda area and make an appropriate environment for library automation. The library computerized its catalog, circulation procedures and patron records in 1997. The year 1999 witnessed the completion of a renovation to the lower level, which provided a state-of-the-art children’s room named Patterson Park planned by architect David Walter of Habiterra in Jamestown and Tim Benson of Jag Teckna in Erie, PA. National recognition for the design of Patterson Park took the form of a photograph in Library Journal’s December 2000 architectural issue. Due to the hard work of the library’s volunteer men’s group named the “Hands” led by Building Committee Chair David Correll, two archival rooms have been developed off the mezzanine to house the library’s most precious and rare collections. Gone, however, are the unique glass floor of the balcony, the stained glass skylights and the grand Tiffany chandeliers, save two, one in the library’s lower level and another in the main entrance. The library also possesses many notable collections. A splendid collection of World War I posters may be viewed in the new annex. Nineteenth century oil portraits of the Patterson family have been restored and are proudly exhibited in the library’s main reading room. The library owns several other portraits of prominent Chautauqua County residents painted in the 1800.s that are on loan to the Chautauqua County Historical Society. An astonishing collection of seashells from the collections of John D. Patterson and the Rev. Rueben Tinker are on display. There are over 300 varieties of shells in the collections including two rare golden cowries. A rock and mineral collection of Arthur Macer and G.W. Patterson is housed in the archives. A seven-foot sailfish was given to the library by H. H. Meyer. A display of stuffed animals completed in the early 1900s by Westfield native H.W. Mossman graces the library. A spectacular ninety-specimen mounted bird collection formerly owned by John D. Patterson and including a rare passenger pigeon is also housed in the library. The millstones in front of the library building owned by John McMahan ground the first grain taken to mill in Chautauqua County.